Table of Contents -- Preface: Ian Kirby -- Supplementary Evidence and the Manuscript Text of Beowulf: A Survey of Sources: J. R. Hall -- The Barnaby Googe Experiment:Readings and Misreadings: Manfred Malzahn -- Plato, Poetic 'Praxis',and Renaissance Censorship: Richard A. McCabe -- Paul's Cross: Context, Occasion, Significance: Mary Morrissey -- Mark(et)ing Differences on the Early ModernStage: Malta's Slave Market and London's Exchange: James R. Siemon -- Standing for and Standing in for: Metonymy in Henry V: Ann Thompson and John O. Thompson -- Voicing Criticism in Eighteenth-Century Novels by Women: Narrative Attempts at Claiming Authority: Vera Nünning -- Constructions of Identity in Romanticism:The Case of William Wordsworth: Christoph Bode -- The Pictorial Turn in the Contemporary Novel: Danuta Fjellestad -- Byron and Latin-Levantine Europe: Sergio Perosa -- Who Owns Britain? S. T. Coleridge and the National Trust: Klaus Stierstorfer -- Fresh Light on Christina Rossetti and George Herbert: William Baker -- Historical Humanist, American Style: Paul A. Bové -- The Aw(e)ful Spread of Literary Theory: Val Cunningham -- The Play and Place of Literary Theory: Jürgen Schlaeger -- Analyzing the Annotations:Theories and Practices of Explanatory Notes: Mary Jane Edwards -- Adam's Two Dreams: Keats on Milton: John Leonard -- "The hush of the Mediterranean lipping thesand": the libertarian and libidinal politics ofVirginia Woolf's Mediterranean discourse: Jane Goldman -- Staging the Mediterranean:Developing Views in English Drama: Christopher Innes -- Chaucer, His Boethius, and the Narrator of His Troilus: Harold Kaylor -- "Begin, and cease, and then again begin":Rereading Matthew Arnold's "Dover Beach": William V. Davis.