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Trevor Harris, Dominique Daniel (dir.)
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l'agrégation d'anglais : le crime organisé à la scène et à l'écran, 1929- 1951. L'approche choisie a été de
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Richard Bégin
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excentriques, les films de Raoul Ruiz abondent en thèmes et figures dites baroques. On y découvre aussi un
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Brasch, Ilka
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marketing and exhibition and that they adapt the pleasures of a flourishing crime fiction culture to both
by
Michalcyzk, John J.
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experimentation and extermination of Jews and non-Jews in the gas chambers and crematoria. These films, some
by
Gerwin van der Pol
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/DK/UK/FR/FI/SE/DE/ IT/NO 2003), a film used as comparison. Both films exemplify that in the end, the
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