Ellipsis -- Contents -- Acknowledgments -- Abbreviations -- Introduction -- Part 1. The Mark of a Poem -- 1. Repeat: The Experience of Poetic Language -- ...THE TURNING OF LOGOS... -- ....SAYING THE SAME . . . -- . . .THE LIMIT OF WRITING . . . -- . . . AGAIN, ANEW . . . -- 2. Hiding: Figures of Cryptophilia in the Work of Art -- . . . EARTH AND PHUSIS: DRAW-ING AND POLEMOS:POETRY AND LOGOS . . . -- . . . EARTH AND PHUSIS: DRAW-ING AND POLEMOS:POETRY AND LOGOS . . . -- . . . EARTH AND PHUSIS: DRAW-ING AND POLEMOS:POETRY AND LOGOS . . . -- . . . THESIS: STELLEN: PERAS . . . -- 3. Beyond: The Limits of the Word in Heidegger and Blanchot -- . . . THE READING OF THE WORD . . . -- . . . THE WRITING OF THE WORD . . . -- . . . THE POSITION OF THE WORD . . . -- Part 2. The Repetition of Language -- 4. Suspending: The Translation of Tragedy in Hölderlin's Essays -- . . . THE CHIASMIC GROUND OF EMPEDOCLES . . . -- . . . THE CAESURA OF OEDIPUS . . . -- . . . THE ECCENTRICITY OF ANTIGONE . . . -- . . . THE RHYTHM OF DYSMORON . . . -- 5. A Void: Writing and the Essence of Language -- . . . BEARING OUT . . . -- . . . THE PAIN OF LANGUAGE . . . -- . . . INTO THE SPACE OF RENUNCIATION . . . -- . . . IN PALIMPSEST . . . -- 6. Fragmenting: L'iter-rature of Relation -- . . . "WITHOUT RETURN" . . . -- . . . . . . -- . . . "NEVER REPEAT" . . . -- . . . (REFRAIN) . . . -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Z.