Cover image for Issues of authenticity in Chinese painting
Issues of authenticity in Chinese painting
Title:
Issues of authenticity in Chinese painting
Author:
Smith, Judith G., 1941-
ISBN:
9780870999284
Physical Description:
317 pages : illustrations ; 27 cm.
General Note:
Papers prepared for an international symposium organized by the Metropolitan Museum of Art in conjunction with the exhibition "the artist as collector: masterpieces of Chinese painting from the C.C. Wang family collection.

Exhibition title: Artist as collector.
Contents:
Foreword / The Case Against Riverbank: An Indictment in Fourteen Counts / Notes on the Recent History of Riverbank / Riverbank: A Recent Effort in a Long Tradition / On Paintings Attributed to Dong Yuan / A Comparative Physical Analysis of Riverbank and Two Zhang Daqian Forgeries / Positioning Riverbank / The Referee Must Have a Rule Book: Modern Rules for an Ancient Art / A Tall Pine and Daoist Immortal: An Examination of a Painting Attributed to Chen Hongshou / Du Jin's Enjoying Antiquities: A Problem in Connoisseurship / An Early Ming Example of Multiples: Two Versions of Elegant Gathering in the Apricot Garden / Riverbank: From Connoisseurship to Art History / Connoisseurship: Seeing and Believing
Abstract:
Few issues in Chinese art and art history arouse the passions of scholars and the public as readily as debates about authenticity, especially when the work under scrutiny is as critically important as Riverbank, a painting The Metropolitan Museum of Art attributes to the tenth-century landscape master Dong Yuan (active 930s¿́¿60s). If either of these claims¿́¿that it is a product of the tenth century and is by the hand of Dong Yuan¿́¿is correct, Riverbank will call for the rewriting of early Chinese painting history. To support its belief in the veracity of the painting, the Museum recently published the book Along the Riverbank, a study of the documentation and the style of Riverbank that seeks to place the painting in its historical context. This volume, the result of an international symposium of the same name held on December 11, 1999, is published to give a thorough airing to the dissenting opinions about Riverbank held by some leading scholars in the field and to examine the methods by which scholars analyze and interpret Chinese paintings.-- Metropolitan Museum of Art website.
Holds: Copies: