CONTENTS -- Acknowledgements -- I THE GAṆ̣Ḍ̣AVYŪHA -- Introduction -- The text and its Chinese translations -- Summary of the text -- The Gaṇ̣ḍ̣avyūha and the doctrines of the Avataṃ̣saka school -- II SUDHANA'S PILGRIMAGE IN CHINESE ART -- The Wên-shu chih-nan t'u-tsan -- The Hua-yen Ju-fa-chieh-p'in Shan-ts'ai ts'an-wên pien-hsiang-ching -- The Ta-fang-kuang Fo-hua-yen-ching Ju-fa-chieh-p'in tsan -- Sudhana's pilgrimage in Chinese sculpture -- The stone sculptures of the Northern Pagoda at Pei-shan, Ta-tsu -- The Pilgrimage Column of the Honolulu Academy of Arts -- A late example of Gaṇ̣ḍ̣avyūha illustrations from China -- III THE GAṆ̣Ḍ̣AVYŪHA IN JAPANESE ART -- Some early traces of Sudhana in Japan -- Sudhana in the art of the Kamakura period -- The Kegon gojūgosho emaki or Zenzai dōji emaki -- The Zenzai dōji emaki and some paintings from the Kōzanji -- The Kegon gojūgo sho-e -- The Kegon kai-e zenchishiki mandara -- Later Japanese Gaṇ̣ḍ̣avyūha illustrations -- IV SUDHANA'S PILGRIMAGE ON THE BARABUḌ̣UR -- The reliefs of the main wall of the second gallery of the Barabuḍ̣ur -- The prologue -- The Pilgrimage, first series -- The Pilgrimage, second series -- V THE GAṆ̣Ḍ̣AVYŪHA AND THE BARABUḌ̣UR -- NOTES -- BIBLIOGRAPHY -- APPENDIX -- 1 Sudhana's Kalyāṇ̣amitras and the Corresponding Stages of Sanctification -- 2 List of Chinese and Japanese characters -- INDEX.