Contents -- Introduction -- Per Os(cillation) -- Fellowdrama Ray Barrie -- Masochism and Male Subjectivity -- Male Hysteria and Early Cinema -- Male Narcissism and National Culture: Subjectivity in Chen Kaige's King of the Children -- DOSSIER ON PEE-WEE'S PLAYHOUSE -- The Cabinet of Dr. Pee-wee: Consumerism and Sexual Terror -- The Playhouse of the Signifier: Reading Pee-wee Herman -- "Going Bonkers!": Children, Play, and Pee-wee -- The Sissy Boy, the Fat Ladies, and the Dykes: Queerness and/as Gender in Pee-wee's World -- Masquerading as the American Male in the Fifties: Picnic, William Holden and the Spectacle of Masculinity in Hollywood Film -- "Crisscross": Paranoia and Projection in Strangers on a Train -- Disputed Territories: Masculinity and Social Space -- Melodrama, Masculinity, and the Family: thirtysomething as Therapy -- Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z.