Black on Black : Twentieth-Century African American Writing about Africa.
Title:
Black on Black : Twentieth-Century African American Writing about Africa.
Author:
Gruesser, John Cullen.
ISBN:
9780813158808
Personal Author:
Physical Description:
1 online resource (230 pages)
Contents:
Cover -- Half-title -- Title -- Copyright -- Dedication -- Contents -- Preface -- 1. Historical and Theoretical Introduction to African American Writing about Africa -- The Origins, Evolution, and Influence of ethiopianism -- Discourse and Genre Tensions in African American Depictions of Africa -- 2. Double-Consciousness, Ethiopianism, and Africa -- The "Warring Ideals" of Africa and America in the Novels of Sutton C. Griggs -- Pauline flopkins's Excavation of a Usable African Past in Of One Blood -- John E. Bruce's Ethiopianist Investigation of Anglo-Saxon Race Prejudice in The Black Sleuth -- 3. The New Negro and Africa -- Shirley Graham's Forging of Dramatic Links between African and African American Art and Experience in Tom-Tom -- Harry Dean and the Dream of an Ethiopian Empire -- from Life to Literature in The Big Sea -- Saving a "White" Woman (and Liberia, Too) in Henry r. Downing's The American Cavalryman -- Exporting Manifest Destiny and Economic Prosperity to Africa in Gilbert Lubin's The Promised Land -- Realism, Melodrama, and Allegory in George S. Schuyler's Slaves Today -- 4. The African American Literary Response to the Ethiopian Crisis -- The Italo-Cthiopian War and Black America -- Langston Hughes and Melvin Tolson's Shift from a Racial to a Marxian Approach to the Ethiopian Conflict -- George Schuyler's Strongest Attacks on Race Chauvinism in the Black empire Novels -- Pan-African Resistance to fascism in George Schuyler's "Revolt in Ethiopia" -- 5. The Promise of Africa-To-Be in Melvin Tolson's Libretto for the Republic of Liberia -- 6. The Movement Away from Ethiopianism in African American Writing about Africa -- Attempting to Escape Prepossessions in Black Power -- Lorraine Hansberry's Answer to Heart of Darkness in Les Blancs -- The End of Ethiopianism in The Color Purple -- Notes -- Works Cited -- Index.
Abstract:
Black on Black provides the first comprehensive analysis of the modern African American literary response to Africa, from W.E.B. Du Bois's The Souls of Black Folk to Alice Walker's The Color Purple. Combining cutting-edge theory, extensive historical and archival research, and close readings of individual texts, Gruesser reveals the diversity of the African American response to Countee Cullen's question, "What is Africa to Me?" John Gruesser uses the concept of Ethiopianism--the biblically inspired belief that black Americans would someday lead Africans and people of the diaspora to a bright future--to provide a framework for his study. Originating in the eighteenth century and inspiring religious and political movements throughout the 1800s, Ethiopianism dominated African American depictions of Africa in the first two decades of the twentieth century, particularly in the writings of Du Bois, Sutton Griggs, and Pauline Hopkins. Beginning with the Harlem Renaissance and continuing through the Italian invasion and occupation of Ethiopia, however, its influence on the portrayal of the continent slowly diminished. Ethiopianism's decline can first be seen in the work of writers closely associated with the New Negro Movement, including Alain Locke and Langston Hughes, and continued in the dramatic work of Shirley Graham, the novels of George Schuyler, and the poetry and prose of Melvin Tolson. The final rejection of Ethiopianism came after the dawning of the Cold War and roughly coincided with the advent of postcolonial Africa in works by authors such as Richard Wright, Lorraine Hansberry, and Alice Walker.
Local Note:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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