CONTENTS -- EDITORIAL PREFACE -- The Bible in Film -- HISTORY AND PSEUDO-HISTORY IN THE JESUS FILM GENRE ---ADELE REINHARTZ -- PASSION FOR (THE) REAL? THE PASSION OF THE CHRIST AND ITS CRITICS ---CAROLINE VANDER STICHELE and TODD PENNER -- THE GOSPEL ACCORDING TO JUDAS: MYTH AND PARABLE --- RICHARD WALSH -- MIT „ESTHER" FÜR VERSÖHNUNG STREITEN ZU AMOS GITAIS FILMISCHER AKTUALISIERUNG DER BIBLISCHEN ERZÄHLUNG --- REINHOLD ZWICK -- AUF LEINWAND GEBANNT: JUDITH IM (MISS-) VERSTÄNDNIS VON MALEREI UND FILM --- ULRIKE VOLLMER -- The Bible and Film -- THE WIZARD OF UZ: JOB, DOROTHY, AND THE LIMITS OF THE SUBLIME --- TOD LINAFELT -- A MISERABLE FEAST: DISHING UP THE BIBLICAL BODY IN THE COOK, THE THIEF, HIS WIFE AND HER LOVER --- FIONA C. BLACK -- INHERITED CRYPTS OF THE WIFE/MOTHER: ANG LEE'S HULK MEETS ZECHARIAH 5:5-11 IN CONTEMPORARY APOCALYPTIC DISCOURSE ERIN RUNIONS -- THE POSSIBILITY OF ERROR: MINORITY REPORT AND THE GOSPEL OF MARK --- GEORGE AICHELE -- WARRIOR WOMEN OF THE APOCALYPSE: THE ROLE OF THE FEMALE IN SOME APOCALYPTIC FILMS --- TINA PIPPIN -- ANGELS IN AMERICA AND SEMIOTIC COCKTAILS OF SEX, BIBLE AND POLITICS --- ELA NUTU -- LIST OF CONTRIBUTORS.