by
Shimizu, Celine Parrenas.
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racial treat? Performing yellowface sex acts in stag films, 1920/34 -- Queens of anal, double, triple
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Paszkiewicz, Katarzyna
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political, theoretical and commercial conceptualisations of women's cinema, and offers new perspectives on
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Tratner, Michael
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emerges is a political debate being carried out in filmic style. In both sets of films, the crowd is
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Humphries, Reynold.
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political and cultural factors relevant to understanding the why and the how of the various investigations
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Blake, Linnie.
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political change. Far from being mere escapism or titillation, it shows how horror (whether it be from 1970s
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Khatib, Lina.
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thereby opens up new perspectives on the socio-political role of cinema in the Arab world._x000D_ _x000D
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Kaganovsky, Lilya.
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) and Boris Polevoi (A Story About a Real Man), and films such as Ivan Pyr'ev's The Party Card, Eduard
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Parry-Giles, Shawn.
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reception of the films. The essays address the distinctive rhetoric of the new political documentary, with
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Berra, John.
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socio-political reference through which critics and audience can attach certain films to popular movements and
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Knopf, Kerstin.
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films that contextualize the oral tradition, three short films, and four dramatic films. The book
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Redding, Arthur.
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practices of everyday life were enlisted to create American political consensus. This coercion fostered a
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Gopal, Sangita.
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Music of Intolerable Love: Political Conjugality in Mani Ratnam's Dil Se -- Part II. Eccentric Orbits
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