Methodology -- Portraits of painters wearing glasses -- Self-portraits -- The wearing of Glasses for Presbyopia in a Self-portrait -- The heteroportraits -- Diagnosis of the type of refractive error according to the portraits of the painters -- Population study -- First period: before 1800 -- Second period: after 1800 -- FRANCE -- GERMANY -- UNITED KINGDOM -- ITALY -- SPAIN -- SWITZERLAND -- BENELUX -- SCANDINAVIA -- USA -- The diagnosis of the type of refractive error -- From Charles Gleyre in the East to the Paris of Camille Pissarro -- Constraints Created by Dacryocystitis -- The Parisian Peregrinations of Camille Pissarro -- Rodolphe Bresdin's Rabbit and the Tapestry of Aristide Maillol -- Curable forms of Blindness -- Cataract and Painting -- How do Modifications in Lens Structure alter the Optical -- How does alteration in Optical Properties disturb -- Retina adapts to changes in the color of the lens -- Cataract and Metamerism -- Cataract in the History of Painting -- Cataract Research in Painters of the Renaissance Period and the Baroque -- The Aphakic Painters -- Aphakic Painters in the History of Art -- How Monet's cataract developed -- Monet's Color Vision while his cataract was developing -- The Aphakia of Claude Monet -- The Effects of Aphakia on Monet's Painting -- Monet's Colors after he became Aphakic -- Vitreous -- The Toads of Rodolphe Töpffer -- Analysis of Munch's Entoptic Visual Phenomenon -- Color Vision Deficiencies -- The influence of the hereditary dyschromatopsias on painting -- Paintings produced spontaneously by Congenitally Color-blind Artists -- The Legend of the total Colorblindness of Eugène Carrière -- The Problem of Constable -- Artistic Behavior of Color-blind Persons -- Congenitally Color-blind Persons in the History of Art -- The Congenital color-blindness of Meryon -- Meryon as Engraver.

Paris in Black and White by Charles Meryon -- Congenitally color-blind artists in the 20th Century -- Congenital color-blindness and Art Criticism -- Acquired Retinopathies -- Procedures used by Degas to -- Defective Eyesight and Degas' Art -- Evolution of the Degas Technique -- Diabetes and Painting -- The Eyes of Older Painters -- The Normal Effects of Age on Vision -- How can we define "age-related pictorial style"? -- Experimental study of the style of painting in old age. -- Age-related Ocular Pathology and Painting -- ARMD in the history of Painting -- Old Age and Creativity -- Octogenarian Painters -- Nonagenarian Painters -- Neurology and Painting -- PATHOLOGY OF THE OPTIC PATHWAYS AND PAINTING -- Glaucoma -- The Optic Neuropathies -- Pathology in the Optic Chiasm -- Intoxications and Painting -- Visual Pathology of the Cerebral Cortex and Painting -- Ophthalmic Migraine and Painting -- Hemianopsias -- Cerebral Achromatopsia -- The Strange Blindness of Lemordant -- The Problem of Lemordant's Blindness -- Painters with strabismus -- Identification of Strabismic Painters -- Clinical Features of Strabismus in Pictures -- The Corneal Reflex -- Bifoveal Fixation in Self-Portraiture -- What is the role of a change in binocularty for the strabismic painter? -- One-eyed Painters -- Paintings done by monophthalmic artists -- Blindness of the painters -- Blind Painters in Art History -- Hypothetical Etiologies for Instances of Blindness in -- Psychological Consequences -- FEMALE PAINTERS -- Refractive Errors -- Female painters whose cataracts were operated -- Age-Related Macular Degeneration (ARMD) -- Neuro-ophthalmology -- Strabismus -- Females who became Blind -- INDEX OF NAMES.