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Kellner, Douglas, 1943-
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Documentary films -- Political aspects -- History and criticism.
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Woodward, Gary C.
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Sociality -- Chapter 6. Finding a Way Through: The Films of James L. Brooks -- Chapter 7. Lessons from the
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Decker, Mark T.
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missionary as a stock character in films; and the noticeably prominent presence of Mormons in reality
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Chow, Rey.
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: attachment in the age of global visibility -- The political economy of vision in Happy times and Not one less
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Ganguly, Keya.
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category of political or "committed" art. She suggests that in their depictions of Indian life, Ray's films
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Baker, Aaron.
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explore how these movie stars' films speak to an increased audience awareness of advances in feminism, new
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Beumers, Birgit.
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history of addressing the major social and political events of their time. From Sergei Eisenstein's
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Amaya, Hector.
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receptions of political films constitute a kind of civic public behavior.
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Rehling, Nicola.
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that its positioning as the 'ordinary' identity is a source of not only ideological and political
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Goscilo, Helena.
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identification, disavowal, and displacement in films by such diverse directors as Khutsiev, Motyl
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Lindlof, Thomas R.
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production problems to the uproar following the film's release and the launch of a crisis control plan at the
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Harper, Graeme.
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: Landscape of the Mind: The Indifferent Earth in Werner Herzog's Films -- Chapter 5: Visions of Italy: The
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