Cover Page -- Interfaces: Studies in Visual Culture -- Title Page -- Copyright -- Dedication -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- Whitehead and Deleuze -- Trains, Telephones, Televisions -- Mediation -- Time, Process, and Multi-temporality -- One: Experimenting with Time -- Convergences -- Performing Digital Aesthetics -- Technology as Temporalizing -- Two: Time and Process -- Process -- Whitehead's Time -- What Is an Event? -- Perceiving Events -- Three: Deleuze's Time and Serres's Multi-temporality -- What Deleuze Reads in Bergson -- The Virtual -- Serres's Time and Digital "Presentness" -- A Time That Moves Sideways -- Four: The Time of David Claerbout, Bill Viola, and Dan Graham -- The Time of David Claerbout -- The Time of Bill Viola -- The Time of Dan Graham -- Five: Events and Interactive Aesthetics -- The Event and Present -- The Story Is Like a River . . . -- Time and T_Visionarium -- Re-presenting Events -- Rethinking the User: Humans and Technology -- Six: Technology, Aesthetics, and Deleuze's Virtual -- Time and the Virtual -- Delays and Movement -- Extensions, Entanglements, and Prehension -- Seven: A Unison of Becoming -- The Effect of Relations -- A Digital Extensive Continuum -- The Digital Past -- Time, Process, and Databases -- Eight: Databases and Time -- Multi-temporality and Frames -- Organizing Temporality -- Events and the Archive -- The Database in Time -- The Database and Temporal Relationships -- Reterritorializing Data -- Databases and the Extension of Occasions -- Conclusion -- Notes -- Bibliography -- Index.