Cover -- Title -- Copyright -- Dedication -- Contents -- One -- Coefficient -- Salt Marsh, Thick with Behaviors -- Table of Consanguinity (The Cousin Chart) -- Diminution of the Clear Thing -- Half Seas Over -- Jardins sous la pluie -- Sweet Habit of the Blood -- Is He Decently Put Back Together? -- Under the Veil of Wildness -- Coming to the Festival of the God of Boundaries -- Makes an Arrangement -- Return of the Native to the Widespread Hour -- Midlander -- Thicket Play -- Honey Ants -- Recessive -- Sending Owls to Athens -- William James, Henry James -- Arethusa -- Arrowsic -- Eidothea -- Sunrise with Sea Monsters -- Where Hardly Hearth Exists -- Two -- Sonnet on Fire -- The Bad Infinity -- Baroque -- Miscellany -- Baroque -- A General Discrimination of Synonyms -- Baroque -- Antonyms & Intermediaries -- Baroque -- First Inspirations of the Nitrous Oxide, Pneumatic Institute, 1799 -- Baroque -- Second Inspirations of the Nitrous Oxide -- Three -- Disheveled Holiness -- Medieval Physics -- A Boredom of Spirit -- Gothic Tropical -- Film in Place of a Legal Document -- Japonisme -- Against the Throne and Monarchy of God -- Acousmatic -- The Orator's Maximal Likelihood -- The Beauty of Where We Have Been Living -- Anatomy of Listening -- Sighting -- If It Be Not Now -- Ovation -- Morse Gives Up Portraiture -- Intrinsic -- Intimations -- Constable of the Sweet Oblong -- Work -- Salon/Saloon -- Strokes -- Building Box (Atlantic) -- Posthumous -- Oratorium -- Summer Reading -- Notes -- Acknowledgments.