Book Cover -- Half-Title -- Title -- Dedication -- Contents -- Acknowledgements -- Introduction -- a) Devised Puppet Theatre Texts: The Image, the Puppet and the Text -- b) Written or 'Literary' Dramatic Puppet Theatre Texts: The Text as Point of Departure -- Writing for Puppet Theatre versus Writing for Live Theatre -- Puppet-Actors Differ from Human Actors -- Edward Gordon Craig's Uber-marionette -- The Alienation Effect in Puppet-Character: The Influence of Japanese Bunraku -- The Actor Centre-Stage in Modern Puppet Theatre/Theatre of Animation -- How do these Conditions and Limitations Affect the Writing of a Puppet Theatre Piece? -- Writing for Puppet Theatre Today -- The 'Voice' of the Puppet -- Conclusion -- References -- All He Fears -- Title of Production: 'All He Fears' -- Interview with Howard Barker -- Why Promote Text-based Drama for Live Animation? -- Faustus in Africa -- Director's Note Faustus in Africa -- Select Bibliography -- Notes on Contributors -- CONTEMPORARY THEATRE REVIEW -- Notes for contributors -- INSTRUCTIONS FOR AUTHORS.