Media and Cultural Memory/Medien und kulturelle Erinnerung -- Title Page -- Copyright Page -- Table of Contents -- Introduction: "Have you forgotten yet? …" -- References -- Part 1: 'Entrenched'(?) Perspectives: The Legacy of the Great War -- Revisiting All Quiet on the Western Front -- References -- Filmography -- Wilfred Owen and His War Poetry in Wilfred Owen: A Remembrance Tale and Regeneration/Behind the Lines -- Acknowledgments -- References -- Filmography -- It Still Goes On: Trauma and the Memory of the First World War -- 1 Popular Memory of the First World War: Australia, Britain and Canada -- 2 The Suffering of Soldiers -- 3 Desolated Battlefields -- 4 The Witness Perspective -- 5 Conclusion -- References -- Filmography -- Working Through the Working-Class War: The Battle of the Somme in Contemporary British Literature by Alan Sillitoe and Ted Hughes -- 1 Alan Sillitoe: Raw Material -- 2 Ted Hughes: Elmet -- 3 Conclusion -- Acknowledgments -- References -- A Poisonous Paradox: Representations of Gas Warfare in Post-Memory Films of the Great War -- 1 The First Paradox: The Under-Representation of Gas Warfare -- 2 The Second Paradox: Authenticity Does Not Equal Accuracy -- References -- Filmography -- The Great War, the Iraq War, and Postmodern America: Kevin Powers' The Yellow Birds and the Radical Isolation of Today's U.S. Veterans -- References -- Part 2: The Challenge of Form: How to 'Remember' the Great War? -- The Two "All Quiets": Representations of Modern Warfare in the Film Adaptations of Erich Maria Remarque's Im Westen nichts Neues -- References -- Filmography -- "I shall lie broken against this broken earth": William March's Company K on the Screen -- References -- Filmography -- The Great War and British Docudrama: The Somme, My Boy Jack and Walter's War -- References -- Filmography.

"Like dying on a stage": Theatricality and Remembrance in Anglo-Canadian Drama on the First World War -- References -- The Great War Re-Remembered: Allohistory and Allohistorical Fiction -- 1 Theoretical Considerations -- 2 Allohistorical Fictions of the Great War -- 3 Allohistory and the Great War -- 4 Conclusion -- References -- Comics/Graphic Novels/Bandes Dessinées and the Representation of the Great War -- 1 Theoretical Overview -- 2 The Forgotten Five: The Great War as Superficial Glamorous Heroics -- 3 L'Ambulance 13: A Complex Great War Representation -- 4 C'était la guerre des tranchées/It was the War of the Trenches: The Abject, Centre Foreground -- 5 Conclusion -- References -- What Price Justice? French Crime Fiction and the Great War -- 1 In the Thick of It: Gaston Leroux -- 2 'Remembering' the Great War: Didier Daeninckx, Thierry Bourcy, Guillaume Prévost, and Patrick Pécherot -- 3 What Price Justice? -- References -- Part 3: Identities: The Great War and National Post-Memories -- Remembering The Wars -- 1 Timothy Findley and the First World War -- 2 Beginning in the Archives -- 3 The Lessons of Remembering and why Robert Ross Matters -- References -- Joseph Boyden's Three Day Road: Transcultural (Post-)Memory and Identity in Canadian World War I Fiction -- 1 The Presence of the Absent -- 2 A Nation Forged in Fire - The Great War as a Founding Narrative -- 3 Negotiating Identity within the Novel and Beyond - Joseph Boyden's Three Day Road -- 4 "A sad chapter in our history" - Reconciling Canada -- 5 Conclusion -- References -- Nostalgia for the Nation? The First World War in Australian Novels of the 1970s and 1980s -- 1 Re-reading the First World War -- 2 New Frameworks of Memory -- 3 New Points of Entry: The Popular Histories of Bill Gammage and Patsy Adam-Smith -- 4 Heritage Fictions: Gallipoli, Anzacs and The Lighthorsemen.

5 Alternative Readings: Thomas Keneally, Roger McDonald, David Malouf, Gwen Kelly and Geoff Page -- 6 (Re)surfaced from the Archives: Leonard Mann, Martin Boyd, Jack Lindsay, Lesbia Harford -- 7 "sixty years to get it right"? -- Acknowledgments -- References -- Manuscripts -- Even More Australian: Australian Great War Novels in the Twenty-First Century -- 1 Australia and the Great War: A Cultural Overview -- 2 A Challenge to Imperialism: Barbed Wire and Roses -- 3 The Women at Home: The Wing of Night -- 4 The Return of the Anzac: Bereft -- 5 Conclusion: Even More Australian? -- References -- Appendix 1: A brief list of narratives dealing with the Great War published in Australia since 2000 -- National Versions of the Great War: Modern Australian Anzac Cinema -- 1 The Anzac Legend as National Narrative -- 2 The Classic Anzac Films and Miniseries of the 1980s -- 3 Negotiated Representations -- 4 Counter Narratives -- 5 Post 1990 Screen Anzac Silence and Renewal -- 6 Conclusion -- References -- Filmography -- The "Lost Battalion" of the Argonne and the Origin of the Platoon Movie: Race, Ethnicity, and the Transformation of American Nationality -- References -- Place, Time and Memory in Italian Cinema of the Great War -- References -- Filmography -- The Great War and the Easter Rising in Tom Phelan's The Canal Bridge: A Literary Response to the Politics of Commemoration in Ireland -- References -- The Great War through 'Great October': 1914/1917 in Russian Memory -- 1 A Panorama of War and Peace -- 2 Intrigue on the High Seas -- 3 Memory and Post-Memory -- References -- Part 4: Interrogations: Cross-Cultural and Trans-Historical (Re)Interpretations of the Great War -- "They wouldn't end it with any of us alive, now would they?": The First World War in Cold War Era Films -- 1 Waves of First World War Films -- 2 Neither Heroes Nor Foes.

3 Desertion as Pars Pro Toto -- 4 The Real Enemy -- 5 The 'Communist' Take -- 6 Western Europe: Integration and Reconciliation -- 7 Imperialism -- 8 Distance and Memory -- References -- Filmography -- Post-Colonial Melancholia and the Representation of West Indian Volunteers in the British Great War Televisual Memory -- References -- Filmography -- Fictional Accounts of the East Africa Campaign -- 1 Settlers and the Outbreak of the Great War -- 2 Minorities -- 3 Battles and military encounters -- 4 Final Comments on Authors: Nation, Race, Gender -- 5 Conclusion -- References -- Novels about East Africa -- Voices From the Edge: De-Centering Master Narratives in Jane Urquhart's The Stone Carvers -- 1 Historical Context: Laying the Foundation of the Master Narrative -- 2 Construction: Conflicting Artistic Visions -- 3 "Always Remember the Bones": Form and Structure -- 4 Conclusion: Restoration -- References -- Women and World War I: 'Postcolonial' Imaginative Rewritings of the Great War -- 1 Postcolonial Nostalgia and Women's Experiences -- 2 Being Close to the Action: Nurses in the First World War -- 3 Women on the Home Front -- 4 The Impact of War on the Imagination -- 5 Conclusion -- References -- Contributors -- Index of Names -- Index of Titles.