Cover image for Socio-critical Aspects in Latin American Cinema(s) : Themes - Countries - Directors - Reviews.
Socio-critical Aspects in Latin American Cinema(s) : Themes - Countries - Directors - Reviews.
Title:
Socio-critical Aspects in Latin American Cinema(s) : Themes - Countries - Directors - Reviews.
Author:
Maurer Queipo, Isabel.
ISBN:
9783653022667
Personal Author:
Physical Description:
1 online resource (158 pages)
Series:
Romania Viva ; v.11

Romania Viva
Contents:
Cover -- Acknowledgements -- Content -- Introduction -- Socio-Critical Aspects -- Maribel Cedeño Rojas: Socio-Political Cinema -- Monika Wehrheim: Film and History -- Claudia Cabezón Doty: "Guerilla Filmmaking" -- Monika Wehrheim: Indigenous Cinema -- Countries/National Cinema(s) -- Pablo Piedras: Argentina -- Gerhard Wild: Brazil -- Iván Pinto Veas: Chile -- Peter W. Schulze: Colombia -- Peter W. Schulze: Cuba -- Peter W. Schulze: Mexico -- Maribel Cedeño Rojas: Venezuela -- Directors -- Maribel Cedeño Rojas: Román Chalbaud -- Frank Links: Tomás Gutiérrez Alea -- Matthias Hausmann: Claudia Llosa -- Peter W. Schulze: Fernando Meirelles -- Claudia Cabezón Doty: Fernando E. Solanas -- Review -- Tomás Gutiérrez Alea: Memories of underdevelopment/Memorias del subdesarrollo, 1968 -- Jorge Sanjinés: Blood of the Condor/Yawar Mallku (La sangre del condor), 1969 -- Miguel Littín: Jackal of Nahueltoro/El chacal deNahueltoro, 1969 -- Miguel Littín: Letters from Marusia/Actas de Marusia, 1975 -- Miguel Littín: Alsino and the Condor/Alsino y elcondor, 1983 -- Luis Puenzo: The Official Story/La historia oficial,1985 -- Ricardo Larraín: The Frontier/La frontera, 1991 -- Florian Gallenberger: I want to be/Quiero ser, 1999 -- Marco Bechis: Junta/Garage Olimpo, 1999 -- Alejandro González Iñárritu: Love is a bitch/Amoresperros, 2000 -- José Luis Marqués: Fuckland, 2000 -- Israel Adrián Caetano: Bolivia, 2001 -- Fernando Meirelles/Kátia Lund: City of God/Cidadede deus, 2002 -- Fabrizio Aguilar: Paper Dove/Paloma de papel, 2003 -- Luis Mandoki: Innocent voices/Voces inocentes, 2004 -- Joshua Marston: María Full of Grace/María, llenaeres de gracia, 2004 -- Jonathan Jakubowicz: Secuestro Express, 2005 -- Emilio Maillé: Rosario Tijeras, 2005 -- Alexis Dos Santos: Unmade Beds/Glue, 2006 -- Francisco J. Lombardi: Black Butterfly/Mariposanegra, 2006.

José Padilha: Elite Squad/Tropa de elite, 2007 -- Josué Méndez: Gods/Dioses, 2008 -- Juan Carlos Valdivia: Southern District/Zona Sur,2009 -- Carlos Carrera: Backyard/El traspatio, 2009 -- José Padilha: Elite Squad 2: The EnemyWithin/Tropa de elite 2: O inimigo agora è outro, 2010 -- Gerardo Naranjo: Miss Bala, 2011 -- Bibliography -- Works cited in the articles/ further readings(selection) -- Online-Sources (selection) -- Notes on contributors.
Abstract:
This anthology provides an insight into Latin American sociocultural life and history as expressed by the medium of film. After an overview about the Socio-political Cinema in Latin America, the subsequent articles spotlight socio-historical and cinematic topics such as Film and History, Guerilla Filmmaking and Indigenous Cinema. The following essays aim at presenting paradigmatically selected nations with their rich and turbulent histories and at providing the opportunity for more detailed discussion of some of the fascinating Latin American film-makers. Finally, various reviews of mainly contemporary films focusing on socio-critical aspects complete this volume.
Local Note:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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