LITERATURE, FILM, AND ADAPTATION -- Contents -- Contributors -- Acknowledgments -- Foreword: Kamilla Elliott -- 100+ Years of Adaptations, or, Adaptation as the Art Form of Democracy -- Part I: History and Contexts: From Image to Sound -- 1: Literary Adaptation in the Silent Era -- 2: Writing on the Silent Screen -- 3: Adaptation and Modernism -- 4: Sound Adaptation Sam Taylor's The Taming of the Shrew -- Part II: Approaches -- 5: Adaptation and Intertextuality, or, What isn't an Adaptation, and What Does it Matter? -- 6: Film Authorship and Adaptation -- 7: The Business of Adaptation Reading the Market -- Part III: Genre: Film, Television -- 8: Adapting the X-Men Comic-Book Narratives in Film Franchises -- 9: The Classic Novel on British Television -- Part IV: Authors and Periods -- 10: Screened Writers -- 11: Murdering Othello -- 12: Hamlet's Hauntographology Film Philology, Facsimiles, and Textual Faux-rensics -- 13: Shakespeare to Austen on Screen -- 14: Austen and Sterne: Beyond Heritage -- 15: Neo-Victorian Adaptations -- Part V: Beyond Authors and Canonical Texts -- 16: Costume and Adaptation -- 17: Music into Movies The Film of the Song -- 18: Rambo on Page and Screen -- Part VI: Case Studies: Adaptable and Unadaptable Texts -- 19: Writing for the Movies Writing and Screening Atonement (2007) -- 20: Foregrounding the Media Atonement (2007) as an Adaptation -- 21: Paratextual Adaptation Heart of Darkness as Hearts of Darkness via Apocalypse Now -- 22: Authorship, Commerce, and Harry Potter -- 23: Adapting the Unadaptable - The Screenwriter's Perspective -- Index.