Cover image for Avant Garde Theatre : 1892-1992.
Avant Garde Theatre : 1892-1992.
Title:
Avant Garde Theatre : 1892-1992.
Author:
Innes, Christopher.
ISBN:
9780203359372
Personal Author:
Edition:
2nd ed.
Physical Description:
1 online resource (275 pages)
Contents:
Book Cover -- Title -- Contents -- List of illustrations -- Acknowledgements -- INTRODUCTION -- THE POLITICS OF PRIMITIVISM -- The cult of the primitive -- Bali and cultural colonialism -- DREAMS, ARCHETYPES AND THE IRRATIONAL -- August Strindberg -- THERAPY AND SUBLIMINAL THEATRE -- Expressionist staging -- Eurythmics and psychodrama -- Expressionist influences and Artaudian precursors -- ANTONIN ARTAUD AND THE THEATRE OF CRUELTY -- Form and theme -- The influence of film -- 'An aborted theatre' -- RITUAL AND ACTS OF COMMUNION -- Total theatre -- BLACK MASSES AND CEREMONIES OF NEGATION -- Fernando Arrabal -- Lindsay Kemp -- MYTH AND THEATRE LABORATORIES -- Towards a theatre of myth -- SECULAR RELIGIONS AND PHYSICAL SPIRITUALITY -- Paratheatrical therapy -- ANTHROPOLOGY, ENVIRONMENTAL THEATRE AND SEXUAL REVOLUTION -- The Living Theatre -- INTERCULTURALISM AND EXPROPRIATING THE CLASSICS -- Heiner Mller and Robert Wilson -- Ariane Mnouchkine -- FROM THE MARGINS TO MAINSTREAM -- Eugene O'Neill -- Eugne Ionesco -- Sam Shepard -- Spreading the avant garde -- Commercial adaptation and cultural festivals -- Notes -- Select bibliography -- Index.
Abstract:
Examining the development of avant garde theatre from its inception in the 1890s right up to the present day, Christopher Innes exposes a central paradox of modern theatre; that the motivating force of theatrical experimentation is primitivism. What links the work of Strindberg, Artaud, Brook and Mnouchkine is an idealisation of the elemental and a desire to find ritual in archaic traditions. This widespread primitivism is the key to understanding both the political and aesthetic aspects of modern theatre and provides fresh insights into contemporary social trends. The original text, first published in 1981 as Holy Theatre, has been fully revised and up-dated to take account of the most recent theoretical developments in anthropology, critical theory and psychotherapy. New sections on Heiner Muller, Robert Wilson, Eugenio Barba, Ariane Mnouchkine and Sam Shepard have been added. As a result, the book now deals with all the major avant garde theatre practitioners, in Europe and North America. Avant Garde Theatre will be essential reading for anyone attempting to understand contemporary drama.
Local Note:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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