Processes of Transposition German Literature and Film -- Table of Contents -- List of Contributors -- Acknowledgements -- Introduction -- Filmed Fausts: Cardboard Cut-Outs or Blueprints of the Soul? -- The Swan and the Moped. Shifts in the Presentation of Violence from Kleist's "Die Marquise von O…" to Christoph -- "Inspired by Schnitzler's Traumnovelle": The Intersemiotic Representation of Figural Consciousness in Eyes Wide Shut -- Reflections on the Literary Antecedents of Murnau's Tabu -- Perceptions of the Self as the Other: Double-Visions in Literature and Film -- "Mit einem kleinen Ruck, wie beim Kinematographen". From the Unmaking of Professor Unrat to an Unmade Der blaue Engel -- German Film Adaptations of Jewish Characters in Thomas Mann -- Literary and Cinematographic Reflections on the Human Condition by Anna Seghers and Fred Zinnemann -- Two Foxes of Glenarvon -- Perspective and Reality. Cinematic Transformation of the Narrative Perspective in Schlöndorff 's Die Blechtrommel -- "Their Adam's Apple Put Them on Screen": Hansjürgen Pohland's Cat and Mouse and the Narrative of the Male Body -- From Bestseller to Failure? Heinrich Böll's Irisches Tagebuch (Irish Journal) to Irland und seine Kinder (Children of Eire) -- A German Poet at the Movies: Rolf Dieter Brinkmann -- "Literatur und Linse": Enzensberger Goes to the Movies -- Thomas Brussig's Ostalgie in Print and on Celluloid -- "But Somehow it Was Only Television": West German Narratives of the Fall of the Wall in Recent Novels and their Screen Adaptations -- Sex, Violence and Schubert. Michael Haneke's La Pianiste and Elfriede Jelinek's Die Klavierspielerin -- Intermediality and the Intercultural Dimension in Karin Brandauer's Film Sidonie based on Erich Hackl's Abschied von Sidonie -- Robert Schneider's Novel Schlafes Bruder in the Light of its Screen Version by Joseph Vilsmaier.

Transposition or Translation? Fiction to Film in Doris Dörrie's Nobody Loves Me and Am I Beautiful? -- Taking Doris Dörrie Seriously: Literature, Film, Gender -- Adaptation as a Process of Interpretation: Nowhere in Africa - From Stefanie Zweig to Caroline Link -- Alexander Kluge: Utopian Cinema.