CONTENTS -- PREFACE -- One. Introduction -- Part I ROCK-ART -- Two. The Signature of Terror: Violence, Memory, and Landscape at Freeport -- Three. Ritual Response: Place Marking and the Colonial Frontier in Australia -- Four. Spaces of Resistance: Graffiti and Indigenous Place Markings in the Early European Contact Period of Northern Australia -- Five. Rock-Art as an Indicator of Changing Social Geographies in Central Australia -- Six. Wahi Pana: Legendary Places on Hawai'i Island -- Seven. Making Sense of Petroglyphs: The Sound of Rock-Art -- Eight. The Narrow Doors of the Desert: Ancient Egyptian Roads in the Theban Western Desert -- Nine. Rock-Art and Landscapes -- Part II MONUMENTS -- Ten. A Sense of Time: Cultural Markers in the Mesolithic of Southern England? -- Eleven. A Place of Special Meaning: Interpreting Pre-Historic Monuments in the Landscape -- Twelve. Monuments in the Pre-Historic Landscape of the Maltese Islands: Ritual and Domestic Transformations -- Thirteen. Imperial Inscriptions in the Aztec Landscape -- Fourteen. Negotiating the Village: Community Landscapes in the Late Pre-Historic American Southwest -- Part III BEYOND THE MARK -- Fifteen. Anchoring Mobile Subjectivities: Home, Identity, and Belonging among Italian Australian Migrants -- Sixteen. Inscriptions as Initial Conditions: Federation Square (Melbourne, Australia) and the Silencing of the Mark -- Seventeen. Sarawak on Stage: The Sarawak Cultural Village and the Colonization of Cultural Space in the Making of State Identity -- Eighteen. The Edge of the Sacred, the Edge of Death: Sensual Inscriptions -- Nineteen. The Work of Inscription in Foi Poetry -- CONTRIBUTORS -- INDEX.