Contents -- Acknowledgements -- Contributors -- CHAPTER ONE: Introduction: Textual Infidelities -- PART I: Remaking Fidelity -- CHAPTER TWO: Heavy Bodies, Fragile Texts: Stage Adaptation and the Problem of Presence -- CHAPTER THREE: Reflections on the Surface: Remaking the Postmodern with van Sant's Psycho -- CHAPTER FOUR: Affecting Fidelity: Adaptation, Fidelity and Affect in Todd Haynes's Far From Heaven -- CHAPTER FIVE: The Folding Text: Doctor Who, Adaptation and Fan Fiction -- PART II: After-images -- CHAPTER SIX: 3:10 Again: A Remade Western and the Problem of Authenticity -- CHAPTER SEVEN: Child's Play: Participation in Urban Space in Weegee's, Dassin's and Debord's Versions of Naked City -- CHAPTER EIGHT: Charlotte's Website: Media Transformation and the Intertextual Web of Children's Culture -- CHAPTER NINE: 'Stop Writing or Write Like a Rat': Becoming Animal in Animated Literary Adaptations -- PART III: Reproducing the Past -- CHAPTER TEN: Historicizing the Classic Novel Adaptation: Bleak House (2005) and British Television Contexts -- CHAPTER ELEVEN: Embodying Englishness: Representations of Whiteness, Class and Empire in The Secret Garden -- CHAPTER TWELVE: Taming the Velvet: Lesbian Identity in Cultural Adaptations of Tipping the Velvet -- CHAPTER THIRTEEN: 'Who's the Daddy?': The Aesthetics and Politics of Representation in Alfonso Cuarón's adaptation of P. D. James's Children of Men -- PART IV: Afterlives -- CHAPTER FOURTEEN: Origin and Ownership: Stage, Film and Television Adaptations of Daphne du Maurier's Rebecca -- CHAPTER FIFTEEN: The Post-feminist Biopic: Re-telling the Past in Iris, The Hours and Sylvia -- CHAPTER SIXTEEN: For the Love of Jane: Austen, Adaptation and Celebrity -- CHAPTER SEVENTEEN: Glamorama, Cinematic Narrative and Contemporary Fiction -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L.

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