Cover image for Syro-Hittite Monumental Art and the Archaeology of Performance : The Stone Reliefs at Carchemish and Zincirli in the Earlier First Millennium BCE.
Syro-Hittite Monumental Art and the Archaeology of Performance : The Stone Reliefs at Carchemish and Zincirli in the Earlier First Millennium BCE.
Title:
Syro-Hittite Monumental Art and the Archaeology of Performance : The Stone Reliefs at Carchemish and Zincirli in the Earlier First Millennium BCE.
Author:
Gilibert, Alessandra.
ISBN:
9783110222265
Personal Author:
Physical Description:
1 online resource (240 pages)
Series:
Topoi – Berlin Studies of the Ancient World/Topoi – Berliner Studien der Alten Welt ; v.2

Topoi – Berlin Studies of the Ancient World/Topoi – Berliner Studien der Alten Welt
Contents:
CONTENTS -- List of Figures -- List of Tables -- Bibliographical abbreviations -- Acknowledgements -- 1 Introduction -- 2 The Syro-Anatolian region in the Iron Age -- 2.1 The urban landscape -- 2.2 Questions of ethnicity -- 2.3 Carchemish -- 2.4 Zincirli -- 3 Carchemish -- 3.1 Archaeological fieldwork -- 3.2 The monumental contexts -- 3.2.1 The South Gate -- 3.2.2 The Water Gate -- 3.2.3 The Lower Palace Area -- 3.2.4 The Herald's Wall -- 3.2.5 The King's Gate complex -- 3.2.6 The temple of Tarhunzas -- 3.2.7 The Hilani -- 4 Zincirli -- 4.1 Archaeological fieldwork -- 4.2 The monumental contexts -- 4.2.1 The Southern City Gate. -- 4.2.2 The Outer Citadel Gate -- 4.2.3 The Lions' Pit -- 4.2.4 Gate Q -- 4.2.5 The colossal statue at the outer wall of Building J -- 4.2.6 The Kulamuwa orthostat at the entrance to Building J -- 4.2.7 Inside the Southwestern complex -- 4.2.8 Hilani IV -- 4.2.9 Hilani III -- 4.2.10 Monuments at and around Hilani II -- 4.2.11 The funerary context beside Hilani I -- 4.2.12 The funerary stele in the north lower town -- 5 The embedment of monumental art in ritual performance -- 5.1 Urban setting -- 5.2 Iconographic evidence -- 5.3 Written evidence -- 5.4 Monumental art and ceremonial events -- 6 Art and ritual performance in diachronic perspective -- 6.1 The archaic transitional period (twelfth to mid-tenth century BCE) -- 6.2 The age of civic ritual (late tenth to early ninth century BCE) -- 6.3 The mature transitional period (870-790 BCE) -- 6.4 The age of court ceremony (790-690 BCE) -- 7 Conclusions -- Bibliography -- Catalogue -- Index of concepts.
Abstract:
The ceremonial centers of the Syro-Hittite city-states (1200-700 BC) were lavishly decorated with large-scale, open-air figurative reliefs - an original and greatly influential artistic tradition. But why exactly did the production of such an array of monumental images ever start? This volume explores how Syro-Hittite monumental art was used as a powerful backdrop to important ritual events, and opens up a new perspective by situating monumental art in the context of public performances and civic spectacles of great emotional impact, such as processions, royal triumphs, and dynastic funerals.
Local Note:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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