TABLE OF CONTENTS -- PREFACE -- PART I: GENERAL -- CHAPTER ONE - REPOSITIONING THE ARTS FOR SUSTAINABLE DEVELOPMENT -- CHAPTER TWO - TRANSFORMING THE SOCIAL BODY THROUGH ARTS PRAXIS -- CHAPTER THREE - EMPOWERMENT, ENTREPRENEURSHIP AND CULTURAL SUSTAINABILITY IN THE DEVELOPMENT OF HOPI TOURISM POLICY -- CHAPTER FOUR - SUSTAINING THE THEATRICAL PUBLIC SPHERE -- CHAPTER FIVE - THE ARTS AND INTERRACIAL DIALOGUE IN POST-APARTHEID SOUTH AFRICA -- PART II: PERFORMING ARTS -- CHAPTER SIX - TACKLING SEXUAL HARASSMENT THROUGH ROLE PLAY -- CHAPTER SEVEN - PIRATES OF THE CURRICULUM -- CHAPTER EIGHT - DRAWING FROM INDIGENOUS KNOWLEDGE SYSTEMS -- CHAPTER NINE - EXAMINING THE EFFICACY OF HEALTH COMMUNICATION THEORIES IN THE FIGHT AGAINST HIV/AIDS IN SOUTHERN AFRICA -- PART III: VISUAL ARTS -- CHAPTER TEN - WELL-TRAINED ART EDUCATORS -- CHAPTER ELEVEN - THE RE-TURN TO ART PRACTICE -- CHAPTER TWELVE - TOWARDS APPROPRIATE SENSORY PRODUCTS FOR LEARNERS WITH LEARNING PROBLEMS -- CHAPTER THIRTEEN - PHOTOGRAPHIC SPACE AS "THIRD SPACE" -- CHAPTER FOURTEEN - ARTS EDUCATION IN SOUTH AFRICA -- CHAPTER FIFTEEN - BETWEEN TWO SHATTERED MIRRORS -- CHAPTER SIXTEEN - WHAT MAKES SAM NZIMA'S IMAGE OF HECTOR PIETERSON ICONIC? -- PART IV: FASHION DESIGN AND ENTREPRENEURSHIP -- CHAPTER SEVENTEEN - THE IMPACT OF INDIGENOUS CULTURES ON CONTEMPORARY DRESS PATTERNS IN ZIMBABWE -- CHAPTER EIGHTEEN - OUTCOMES OF ENTREPRENEURSHIP TRAINING AMONG FASHION DESIGN WOMEN ENTREPRENEURS OPERATING WITHIN THE INFORMAL SECTOR IN KENYA -- CHAPTER NINETEEN - PROFILE OF PERSONAL CHARACTERISTICS AND BUSINESS ASPECTS OF ENTREPRENEURS IN THE FASHION INDUSTRY IN SOUTH AFRICA -- CHAPTER TWENTY - THE PERCEIVED ROLE OF THE ADVERTISED THIN FASHION MODEL ON FULL-FIGURED SOUTH AFRICAN WOMEN'S SELF-ESTEEM AND DRESSING STYLES.

CHAPTER TWENTY-ONE - FACTORS INFLUENCING THE SUSTAINABILITY OF TEXTILES SMMEs IN NAMIBIA -- CHAPTER TWENTY-TWO - THE IMPACT OF TEXTILES AND CLOTHING PROCESSES ON THE ENVIRONMENT -- CHAPTER TWENTY-THREE - SOCIO-CULTURAL ASPECTS OF CLOTHING -- PART V: LITERATURE AND FILM -- CHAPTER TWENTY-FOUR - KINSHIP TABOOS AND ROYALTY IN NIGERIA'S VIDEO-FILMS -- CHAPTER TWENTY-FIVE - ARTISTIC COMMITMENT AND THE NEW COUNTER-DISCOURSE -- CHAPTER TWENTY-SIX - FILM IN THE SERVICE OF HUMANITY -- CHAPTER TWENTY-SEVEN - ARTISTIC INNOVATION THROUGH CULTURAL SYMBOLS -- CONTRIBUTORS.