Contents -- Introduction (David Boyd and R. Barton Palmer) -- PART I: PSYCHO RECYCLED -- For Ever Hitchcock: Psycho and Its Remakes (Constantine Verevis) -- Hitchcockian Silence: Psycho and Jonathan Demme's The Silence of the Lambs (Lesley Brill) -- PART II: THE RETURN OF THE REPRESSED -- Shadows of Shadow of a Doubt (Adam Knee) -- Psycho or Psychic? Hitchcock, Dead Again, and the Paranormal (Ina Rae Hark) -- PART III: THE POLITICS OF INTERTEXTUALITY -- The Hitchcock Romance and the '70s Paranoid Thriller (R. Barton Palmer) -- Exposing the Lies of Hitchcock's Truth (Walter Metz) -- PART IV: FOUND IN TRANSLATION -- Red Blood on White Bread: Hitchcock, Chabrol, and French Cinema (Richard Neupert) -- "You're Tellin' Me You Didn't See": Hitchcock's Rear Window and Antonioni's Blow-Up (Frank P. Tomasulo) -- Melo-Thriller: Hitchcock, Genre, and Nationalism in Pedro Almodóvar's Women on the Verge of a Nervous Breakdown (Ernesto R. Acevedo-Muñoz) -- "Knowing Too Much" about Hitchcock: The Genesis of the Italian Giallo (Philippe Met) -- PART V: THEORETICALLY HITCHCOCKIAN -- Death at Work: Hitchcock's Violence and Spectator Identification (Robert Sklar) -- Hitchcock and the Classical Paradigm (John Belton) -- PART VI: MODUS OPERANDI -- How to Steal from Hitchcock (Thomas M. Leitch) -- Notes on Contributors -- Index.