Cover -- Half title -- Title -- Copyright -- Dedication -- Contents -- List of Illustrations -- Acknowledgments -- 1. An Introduction to Central Issues in Ethnomusicology and Folklore: Phenomenology and Practice Theory -- I. The Ethnography of Musical Practice -- 2. Commercial Hard Rock in Cleveland, Ohio: Dia Pason and Max Panic -- 3. Heavy Metal in Akron, Ohio: Winter's Bane and Sin-Eater -- 4. Two Jazz Scenes in Northeast Ohio -- II. The Organization of Musical Experience and the Practice of Perception -- 5. The Organization of Attention in Two Jazz Scenes -- 6. The Organization of Attention in the Rock and Metal Scenes -- 7. Tonality, Temporality, and the Intending Subject (1): Chris Ozimek and "Turn for the Worse" -- 8. Tonality, Temporality, and the Perceptual Subject (2): Dann Saladin and "The Final Silencing" -- 9. Conclusions: Perceptual Practice and Social Context -- III. Music, Experience, and Society: Death Metal and Deindustrialization in an American City -- 10. Death Metal Perspectives: Affect, Purpose, and the Social Life of Music -- 11. A Critical Dialogue on the Politics of the Metal Underground: Race, Class, and Consequence -- 12. Conclusion: The Scope of Ethnomusicology -- Notes -- Glossary -- Selected Bibliography -- Index.