About the Series - Surla collection - Zur Buchreihe -- Introduction -- Given the Popular -- Terms and Canons -- "The Madness of the Unexpected". Duchamp's Readymades and the Survival of "High" Art -- Instrument of Inspiration High/Low Illusions in British Experimental Music and After -- English Rebels in Art Circles: The New Age in its Elitist and Populist Dimension -- Kinaesthetic Modernism? Rhythms, Bodies and Motion across the Great Divide -- Art, Nation and Political Discourse -- Culture en quête de repères -- Folklore -- Dada, Carnival and Revolution -- Spuren der Volksdichtung in der ungarischen Avantgardeliteratur -- Musical Boxes: The Impersonal Avant-Garde Poem, Everyday Language and Popular Song -- What Did They Need Jazz For? Jazz Music in Polish Interwar Poetry -- Der junge Borges und die ultraistische Avantgarde Das Populäre als Taktik -- The Theatre of Ramón del Valle-Inclán: Between Modernism and the Popular Imagination -- The Everyday -- Sitting Pretty: Modernism and the Municipal Chair in the Photographs of André Kertész and Robert Doisneau -- Everyday Life in André Breton's Trilogy Nadja, Vases Communicants and L'Amour fou -- Entre mime et possession: récits surréalistes et fictions populaires -- The Blood of the Poet: Cocteau, Surrealism and the Politics of the Vulgar -- "Broken Clouds - also by Instalments": Mediating Art and the Everyday, the High and the Low in the Finnish Literary Avant-Garde of the 1960s -- The "Abakans" and the Feminist Revolution -- A Glossier Shade of Brown: Imi Knoebel's Raum 19 -- Commerce -- Selling Dada: New York Dada (1921) and Its Dialogue with the European Avant-Garde -- Wyndham Lewis and the Inter-War Popular Novel. Potboilers and Gunman Bestsellers.

Le Douanier Rousseau, Fantômas & Cie: La culture populaire, ressort majeur des Soirées de Paris -- Between the Old and the New: The Surrealist Outmoded as a Radical Third Term -- „The Hidden Network of the Avant-Garde": der farbige Werbefilm als eine zentraleuropäische Erfindung? -- Media -- Lessons from the Press: Picasso and Mass Print Media, 1911-37 -- Film und Filmprojekte in der Wiener Avant-Garde Zeitschrift Ma (1920-25) -- „Produktion - Reproduktion": Echos von Lázló Moholy-Nagys Medientheorie in der Geschichte von Film und Medienkunst -- Modernism in the Ether: Middlebrow Perspectives on European Literature in Flemish Radio Talks (1936-37) -- A Second Avant-Garde without a First: GreekAvant-Garde Artists in the 1960s and 1970s -- Mass Media Avant-Garde: Dislocating the Hi/Lo in the Swedish 1960s -- A Tentative Embrace. Superstudio's New Media Nomads -- Index.