Elizabethan Translation and Literary Culture.

Acknowledgements -- Contents -- Introduction -- Part I: Translation and Literary Theory -- Elizabethan Translation - A Polyphonic Art: Reconciling the Demands of Letter and Spirit -- Elizabethan Defences of Translation, from Rhetoric to Poetics: Harington's and Chapman's "Brief Apologies" -- "Mine own and not mine own": The Gift of Lost Property in Translation and Theatre -- Enacting the Classics: Translation and Authorship in Ben Jonson's Poetaster -- "All gentilmen dooe speake the courtisane": Negotiations of the Italian Questione della lingua in William Thomas and the Florios -- "Ex rebus ipsis non solum ex libris": Translating the Arts and Sciences in Elizabethan England -- Part II: Translation and Literary Practice -- The Province of Verse: Sir Thomas More's Twelve Rules of John Picus Earle of Mirandula -- Translation, Authorship, and Gender: The Case of Jane Seager's Divine Prophecies of the Ten Sibills -- Travelling Translations: Classical Literature in Mid-Sixteenth-Century England -- Appropriating France in Elizabethan Drama: English Translations of Robert Garnier's Plays -- The Framing of Fiammetta: Gender, Authorship, and Voice in an Elizabethan Translation of Boccaccio -- "Did Ariosto write it?" - (Mis)translating Women in Sir John Harington's Version of Orlando Furioso -- "It is I that am the right Sancho Pansa, that can tell many tales": Thomas Shelton's Translation of Don Quixote (1612/1620) -- List of Contributors -- Index of Names.