Cover -- Contents -- Acknowledgements -- Introduction -- Part I: Moore's 'Belle Époque' Paris -- Moore-Degas-Paris: Exchanges, Reminiscences and Intersecting Arts (Isabelle Enaud-Lechien) -- 'An Art-Tortured Soul': Authority in Confessions of a Young Man (Justine Picchereddu) -- The Leaving of Paris: Some Contrasts and Parallels between George Moore and James Joyce (Brendan Fleming) -- Part II: Aesthetic Ventures -- The Symphony of the Senses: Baudelaire, Huysmans and Moore (Fabienne Gaspari) -- 'The Great Purifying Influence': Théophile Gautier and George Moore (Melanie Grundmann) -- Wilde and Moore: Décadents (Stoddard Martin) -- Part III: On Women: Building Filiations -- George Moore and F. Mabel Robinson: Parisian Contexts and the Woman Artist (Kathryn Laing) -- Is Evelyn Innes (1898) a Literary Daughter of George Sand's Consuelo (1843)? (Akemi Yoshida) -- Melancholia and the Feminine in 'Priscilla and Emily Lofft' (María Elena Jaime De Pablos) -- Part IV: Politics, Polemics and Dissent -- 'Picturesque Aspects of a Primitive Country and Barbarous People': Ireland 1886-1887, As Viewed by George Moore and Contemporary French Publicists (Pierre Joannon) -- George Moore, Maud Gonne and the Dreyfus Affair (Adrian Frazier) -- George Moore's Early Voice of 'Liberal Catholic Dissent': Parnell and His Island and Confessions of a Young Man (Rachel Flynn) -- Part V: Albert Nobbs in the Cinema and Behind the Scenes -- 'The Little Red-Haired Boy, George Moore': Moore, Benmussa, Garcia and the Masculine Voices of Albert Nobbs (Elizabeth Grubgeld) -- Interview with Elizabeth Bourgine Conducted by Michel Brunet -- Notes on Contributors -- Index.