
Color Appearance Models.
Başlık:
Color Appearance Models.
Yazar:
Fairchild, Mark D.
ISBN:
9781118653111
Yazar Ek Girişi:
Basım Bilgisi:
3rd ed.
Fiziksel Tanımlama:
1 online resource (474 pages)
Seri:
The Wiley-IS&T Series in Imaging Science and Technology
İçerik:
Color Appearance Models -- Copyright -- Contents -- Series Preface -- Preface -- Acknowledgments -- Introduction -- 1 Human Color Vision -- 1.1 Optics of the Eye -- The Cornea -- The Lens -- The Humors -- The Iris -- The Retina -- The Fovea -- The Macula -- The Optic Nerve -- 1.2 The Retina -- Rods and Cones -- Intrinsically Photosensitive Retinal Ganglion Cells -- 1.3 Visual Signal Processing -- Receptive Fields -- Processing in Area V1 -- 1.4 Mechanisms of Color Vision -- Trichromatic Theory -- Hering's Opponent Colors Theory -- Modern Opponent Colors Theory -- Adaptation Mechanisms -- Visual Mechanisms Impacting Color Appearance -- 1.5 Spatial and Temporal Properties of Color Vision -- The Oblique Effect -- CSFs and Eye Movements -- 1.6 Color Vision Deficiencies -- Protanopia, Deuteranopia, and Tritanopia -- Anomalous Trichromacy -- Color Vision Deficiencies and Gender -- Screening Observers Who Make Color Judgments -- 1.7 Key Features for Color Appearance Modeling -- 2 Psychophysics -- 2.1 Psychophysics Defined -- Two Classes of Visual Experiments -- 2.2 Historical Context -- Weber's Work -- Fechner's Work -- Stevens' Work -- 2.3 Hierarchy Of Scales -- Nominal Scales -- Ordinal Scales -- Interval Scales -- Ratio Scales -- Example of the Use of Scales -- 2.4 Threshold Techniques -- Types of Threshold Experiments -- Method of Adjustment -- Method of Limits -- hod of Constant Stimuli -- Yes-No Method -- Forced-Choice Procedures -- Staircase Procedures -- Probit Analysis of Threshold Data -- 2.5 Matching Techniques -- Asymmetric Matching -- Memory Matching -- 2.6 One-Dimensional Scaling -- 2.7 Multidimensional Scaling -- 2.8 Design of Psychophysical Experiments -- 2.9 Importance in Color Appearance Modeling -- 3 Colorimetry -- 3.1 Basic and Advanced Colorimetry -- 3.2 Why is Color? -- 3.3 Light Sources and Illuminants -- Spectroradiometry.
Black-Body Radiators -- CIE Illuminants -- 3.4 Colored Materials -- CIE Illumination and Viewing Geometries -- Diffuse/Normal and Normal/Diffuse -- 45/Normal and Normal/45 -- Fluorescence -- 3.5 The Human Visual Response -- The System of Photometry -- 3.6 Tristimulus Values and Color Matching Functions -- Tristimulus Values for Any Stimulus -- Estimating Average Color Matching Functions -- Two Sets of Color Matching Functions -- 3.7 Chromaticity Diagrams -- 3.8 CIE Color Spaces -- CIELAB -- CIELUV -- 3.9 Color Difference Specification -- 3.10 The Next Step -- 4 Color Appearance Terminology -- 4.1 Importance of Definitions -- 4.2 Color -- 4.3 Hue -- 4.4 Brightness and Lightness -- 4.5 Colorfulness and Chroma -- 4.6 Saturation -- 4.7 Unrelated and Related Colors -- 4.8 Definitions in Equations -- 4.9 Brightness-Colorfulness vs Lightness-Chroma -- 5 Color Order Systems -- 5.1 Overview and Requirements -- 5.2 The Munsell Book of Color -- Munsell Value -- Munsell Hue -- Munsell Chroma -- Munsell Book of Color -- 5.3 The Swedish NCS -- 5.4 The Colorcurve System -- 5.5 Other Color Order Systems -- OSA Uniform Color Scales -- DIN System -- Ostwald System -- 5.6 Uses of Color Order Systems -- Color Order Systems in Visual Experiments -- Color Order Systems in Art and Design -- Color Order Systems in Communication -- Color Order Systems in Education -- Color Order Systems to Evaluate Mathematical Color Appearance Models -- Color Order Systems and Imaging Systems -- Limitations of Color Order Systems -- 5.7 Color Naming Systems -- The PANTONE System -- The Trumatch System -- Other Systems -- 6 Color Appearance Phenomena -- 6.1 What are Color Appearance Phenomena? -- 6.2 Simultaneous Contrast, Crispening, and Spreading -- Simultaneous Contrast -- Crispening -- Spreading -- 6.3 Bezold-Brücke Hue Shift (Hue Changes With Luminance).
6.4 Abney Effect (Hue Changes with Colorimetric Purity) -- 6.5 Helmholtz-Kohlrausch Effect (Brightness Depends on Luminance and Chromaticity) -- 6.6 Hunt Effect (Colorfulness increases with Luminance) -- 6.7 Stevens Effect (Contrast Increases with Luminance) -- 6.8 Helson-Judd Effect (Hue of Non-Selective Samples) -- 6.9 Bartleson-Breneman Equations (Image Contrast changes with Surround) -- 6.10 Discounting-the-Illuminant -- 6.11 Other Context, Structural, and Psychological Effects -- Two-Color Projections -- 6.12 Color Constancy? -- 7 Viewing Conditions -- 7.1 Configuration of the Viewing Field -- Stimulus -- Proximal Field -- Background -- Surround -- 7.2 Colorimetric Specification of the viewing field -- 7.3 Modes of Viewing -- Illuminant -- Illumination -- Surface -- Volume -- Film -- 7.4 Unrelated and Related Colors Revisited -- 8 Chromatic Adaptation -- 8.1 Light, Dark, and Chromatic Adaptation -- Light Adaptation -- Dark Adaptation -- Chromatic Adaptation -- 8.2 Physiology -- Pupil Dilation/Constriction -- Role of the Rods and Cones -- Receptor Gain Control -- Subtractive Mechanisms -- High-Level Adpaptation Mechanisms -- 8.3 Sensory and Cognitive Mechanisms -- Sensory Mechanisms -- Cognitive Mechanisms -- Hard-Copy Vs Soft-Copy Output -- The Time-Course of Adaptation -- 8.4 Corresponding Colors Data -- Asymmetric Matching -- Haploscopic Matching -- Memory Matching -- Magnitude Estimation -- Cross-Media Comparisons -- 8.5 Models -- 8.6 Color Inconstancy Index -- 8.7 Computational Color Constancy -- 9 Chromatic Adaptation Models -- 9.1 Von Kries Model -- 9.2 Retinex Theory -- 9.3 Nayatani et al. Model -- MacAdam's Model -- Nayatani's Model -- 9.4 Guth's Model -- 9.5 Fairchild's 1990 Model -- 9.6 Herding Cats -- 9.7 CAT02 -- 10 Color Appearance Models -- 10.1 Definition of Color Appearance Models -- 10.2 Construction of Color Appearance Models.
10.3 CIELAB -- Calculating CIELAB Coordinates -- Wrong von Kries Transform -- 10.4 Why not use just CIELAB? -- 10.5 What about CIELUV? -- 11 The Nayatani et al. Model -- 11.1 Objectives and Approach -- 11.2 Input Data -- 11.3 Adaptation Model -- 11.4 Opponent Color Dimensions -- 11.5 Brightness -- 11.6 Lightness -- 11.7 Hue -- 11.8 Saturation -- 11.9 Chroma -- 11.10 Colorfulness -- 11.11 Inverse Model -- 11.12 Phenomena Predicted -- 11.13 Why not use just the Nayatani et al. model? -- 12 The Hunt Model -- 12.1 Objectives and Approach -- 12.2 Input Data -- 12.3 Adaptation Model -- 12.4 Opponent Color Dimensions -- 12.5 Hue -- 12.6 Saturation -- 12.7 Brightness -- 12.8 Lightness -- 12.9 Chroma -- 12.10 Colorfulness -- 12.11 Inverse Model -- 12.12 Phenomena Predicted -- 12.13 Why not use just the Hunt Model? -- 13 The RLAB Model -- 13.1 Objectives and Approach -- 13.2 Input Data -- 13.3 Adaptation Model -- 13.4 Opponent Color Dimensions -- 13.5 Lightness -- 13.6 Hue -- 13.7 Chroma -- 13.8 Saturation -- 13.9 Inverse Model -- 13.10 Phenomena Predicted -- 13.11 Why not use just the RLAB Model? -- 14 Other Models -- 14.1 Overview -- 14.2 ATD Model -- Objectives and Approach -- Input Data -- Adaptation Model -- Opponent Color Dimensions -- Perceptual Correlates -- Phenomena Predicted -- Why Not Use Just the ATD Model? -- ATD04 Model -- 14.3 LLAB Model -- Objectives and Approach -- Input Data -- Adaptation Model -- Opponent Color Dimensions -- Perceptual Correlates -- Color Differences -- Phenomena Predicted -- Why Not Use Just the LLAB Model? -- 14.4 IPT Color Space -- Why Not Use Just the IPT Model? -- 15 The CIE Color Appearance Model (1997), CIECAM97s -- 15.1 Historical Development, Objectives, and Approach -- 15.2 Input Data -- 15.3 Adaptation Model -- 15.4 Appearance Correlates -- 15.5 Inverse Model -- 15.6 Phenomena Predicted.
15.7 The ZLAB Color Appearance Model -- Input Data -- Chromatic Adaptation -- Appearance Correlates -- 15.8 Why not use just CIECAM97s? -- 16 CIECAM02 -- 16.1 Objectives and Approach -- 16.2 Input Data -- 16.3 Adaptation Model -- A Note on the CIECAM02 Chromatic Adaptation Transform -- Remainder of CIECAM02 Adaptation Model -- 16.4 Opponent Color Dimensions -- 16.5 Hue -- 16.6 Lightness -- 16.7 Brightness -- 16.8 Chroma -- 16.9 Colorfulness -- 16.10 Saturation -- 16.11 Cartesian Coordinates -- 16.12 Inverse Model -- 16.13 Implementation Guidelines -- 16.14 Phenomena Predicted -- 16.15 Computational Issues -- 16.16 CAM02-UCS -- 16.17 Why not use just CIECAM02? -- 16.18 Outlook -- 17 Testing Color Appearance Models -- 17.1 Overview -- 17.2 Qualitative Tests -- 17.3 Corresponding-Colors Data -- 17.4 Magnitude Estimation Experiments -- 17.5 Direct Model Tests -- 17.6 Colorfulness In Projected Images -- 17.7 Munsell in Color Appearance Spaces -- 17.8 CIE Activities -- TC1-34, Testing Colour-Appearance Models -- TC1-27, Specification of Colour Appearance for Reflective Media and Self-Luminous Display Comparisons -- TC1-33, Color Rendering -- TC1-52, Chromatic Adaptation Transform -- R1-24 Colour Appearance Models -- TC8-01, Colour Appearance Modeling for Colour Management Applications -- TC8-04, Adaptation Under Mixed Illumination Conditions -- TC8-08, Testing of Spatial Colour Appearance Model -- R8-05 Image Appearance -- R8-06, Results of CIECAM02 -- TC8-11, CIECAM02 Mathematics -- TC1-75, a Comprehensive Model of Colour Appearance -- TC1-76, Unique Hue Data -- 17.9 A Pictorial Review of Color Appearance Models -- 18 Traditional Colorimetric Applications -- 18.1 Color Rendering -- Current Techniques and Recommendations -- Application of Color Appearance Models -- Future Directions -- 18.2 Color Differences -- Current Techniques and Recommendations.
Application of Color Appearance Models.
Özet:
The essential resource for readers needing to understand visual perception and for those trying to produce, reproduce and measure color appearance in various applications such as imaging, entertainment, materials, design, architecture and lighting. This book builds upon the success of previous editions, and will continue to serve the needs of those professionals working in the field to solve practical problems or looking for background for on-going research projects. It would also act as a good course text for senior undergraduates and postgraduates studying color science. The 3rd Edition of Color Appearance Models contains numerous new and expanded sections providing an updated review of color appearance and includes many of the most widely used models to date, ensuring its continued success as the comprehensive resource on color appearance models. Key features: Presents the fundamental concepts and phenomena of color appearance (what objects look like in typical viewing situations) and practical techniques to measure, model and predict those appearances. Includes the clear explanation of fundamental concepts that makes the implementation of mathematical models very easy to understand. Explains many different types of models, and offers a clear context for the models, their use, and future directions in the field.
Notlar:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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