The Author in Middle Byzantine Literature : Modes, Functions, and Identities. için kapak resmi
The Author in Middle Byzantine Literature : Modes, Functions, and Identities.
Başlık:
The Author in Middle Byzantine Literature : Modes, Functions, and Identities.
Yazar:
Pizzone, Aglae.
ISBN:
9781614515197
Yazar Ek Girişi:
Fiziksel Tanımlama:
1 online resource (532 pages)
Seri:
Byzantinisches Archiv ; v.28

Byzantinisches Archiv
İçerik:
Byzantinisches Archiv -- Title Page -- Copyright Page -- Table of Contents -- Note on citation and transliteration -- Notes on contributors -- List of abbreviations -- Introduction -- The Author in Middle Byzantine Literature: A View from Within -- 1 Authorial modes, authorial choices -- 2 Beyond tradition -- 3 Authorial constructions -- 4 Authorial identities -- First Part: Modes -- Voice, Signature, Mask: The Byzantine Author -- 1 Authors: rhetorical theory and manuscript practice -- 2 The author-less tradition -- 3 Rhetoric meets anonymity -- 4 Concluding remarks -- The Ethics of Authorship: Some Tensions in the 11th Century -- 1 Introduction -- 2 The discourse of modesty -- 3 The discourse of display -- 4 A tension difficult to resolve -- 5 Michael Psellos: contrasting voices -- 6 John Mauropous: a uniform voice -- 7 Concluding remarks -- Questions of Authorship and Genre in Chronicles of the Middle Byzantine Period: The Case of Michael Psellos' Historia Syntomos -- 1 Introduction -- 2 Aspects of self-representation and genre intrusion in Michael Psellos' Historia Syntomos -- 3 Concluding remarks -- His, and Not His: The Poems of the Late Gregory the Monk -- 1 The Harvard Psalter -- 2 Two penitential prayers -- 3 Concluding remarks -- Appendix -- Authorship and Authority in the Book of the Philosopher Syntipas -- 1 Introduction -- 2 Authority inscribed -- 3 The plot -- 4 Authorship ascribed -- 5 Authorship fictionalized -- 6 The authority of the translator -- 7 The Book of the Philosopher Syntipas and the scope of authorial creativity -- Second Part: Functions -- Authorial Voice and Self-Presentation in a 9th-Century Hymn on the Prodigal Son -- 1 A kanōn for the Sunday of the Prodigal -- 2 From the lection to the hymn -- 3 Modeling the Christian self -- 4 Dramatizing penitence and redemption.

Aristocracy and Literary Production in the 10th Century -- 1 Introduction -- 2 John Geōmetrēs as a court poet -- 3 Literary production and aristocratic warrior culture -- 4 John Geōmetrēs' "self-assertiveness" and his ideal of virtue -- 5 Evolutions and continuity in cultural life during the reign of Basil II -- The Anonymous Poets of the Anthologia Marciana: Questions of Collection and Authorship -- 1 Introduction -- 2 Why are these poems anonymous? -- 3 Identification of authors -- 4 The authorship of the 12th-century dedicatory epigrams on works of art: donor - poet - artist -- 5 Concluding remarks -- "Perhaps the Scholiast Was also a Drudge." Authorial Practices in Three Middle Byzantine Sub-Literary Writings -- 1 Introduction -- 2 The older scholia to Plato -- 3 The collection of Greek proverbs by Ps. Zēnobios -- 4 Tzetzēs' scholia to Lykophrōn's Alexandra -- 5 Concluding remarks -- In Search of the Monastic Author. Story-Telling, Anonymity and Innovation in the 12 th Century -- 1 Introduction -- 2 The texts -- 2.1 The Life of Cyril Phileōtēs by Nicholas Kataskepēnos -- 2.2 The Diēgēsis merikē -- 2.3 The Testament (1214) of Neophytos the Recluse -- 3 Analysis of the texts -- 3.1 The Life of Cyril Phileōtēs -- 3.2 Diēgēsis merikē -- 3.3 The Testament of Neophytos the Recluse -- 4 Authorship in the texts -- 5 Concluding remarks -- Third Part: Identities -- The End of . Authorial Identity and Authorial Intention in Michael Chōniatēs' -- 1 Introduction -- 2 The purpose of education -- 3 Intellectuals in a tough world -- 4 Identity and rhetoric -- 5 Concluding remarks -- Anonymity, Dispossession and Reappropriation in the Prolog of Nikēphoros Basilakēs -- 1 Anonymity and dispossession -- 2 Dangerous bookishness -- 3 Obliterating the author's liability -- 4 Ecclesiastes 12:12: a double-edged text -- 5 Historical identity and the text.

6 Concluding remarks -- Authorship and Gender (and) Identity. Women's Writing in the Middle Byzantine Period -- 1 Introduction -- 2 Writing and chanting for redemption: female authorial practices in 9th-century liturgical poetry -- 3 Writing as self-representation: female authorial practices in the Komnenian era -- 4 Concluding remarks -- The Authorial Voice of Anna Komnēnē -- 1 Introduction -- 2 Authorship, modesty, and gender -- 3 A modest daughter writes history -- 4 Authorial self-presentation and historicity -- Afterword -- A Perspective from the Far (Medieval) West on Byzantine Theories of Authorship -- 1 Authorship and agency -- 2 Authorship and anonymity -- 3 Authorship, identity, self and community -- 4 Authorship and gender: strategies of women writing -- 5 Authorship over time -- Bibliography -- Primary sources -- Secondary Literature -- General Index -- Index of authors and texts.
Özet:
Author and authorship have become increasingly important concepts in Byzantine literary studies. This volume provides the first comprehensive survey on strategies of authorship in Middle Byzantine literature and investigates the interaction between self-presentation and cultural production in a wide array of genres, providing new insights into how Byzantine intellectuals conceived of their own work and pursuits.
Notlar:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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