Music and Identity in Ireland and Beyond.
Başlık:
Music and Identity in Ireland and Beyond.
Yazar:
Fitzgerald, Mark.
ISBN:
9781472409676
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Fiziksel Tanımlama:
1 online resource (340 pages)
İçerik:
Cover -- Contents -- List of Contributors -- Foreword -- Acknowledgements -- Introduction -- Part I: Historical Perspectives -- 1 'Whatever has a Foreign Tone / We like much better than our own': Irish Music and Anglo-Irish Identity in the Eighteenth Century -- 2 Traditional Music in the Irish Revival -- 3 'A National School of Music Such as the World has Never Seen': Re-appropriating the Early Twentieth Century into a Chronology of Irish Composition -- 4 The 'Irish Music' of Arnold Bax and E.J. Moeran -- 5 Inventing Identities: The Case of Frederick May -- 6 Forging a Northern Irish Identity: Music Broadcasting on BBC Northern Ireland, 1924-39 -- Part II: Recent and Contemporary Production -- 7 'From Inside my Head': Issues of Identity in Northern Ireland through the Music of Kevin O'Connell -- 8 The Honourable Tradition of Non-existence: Issues of Irish Identity in the Music and Writings of Raymond Deane -- 9 Dancing at the Crossroads Remixed: Irish Traditional Musical Identity in Changing Community Contexts -- 10 Morrissey's Gothic Ireland -- 11 Post-punk Industrial Cyber Opera? The Ambivalent and Disruptive Hybridity of Early 1990s' U2 -- Part III: Cultural Explorations -- 12 Gael or Gall? Musical Identity in Early 1970s Cape Clear Island -- 13 Positive Vibrations: Musical Communities in African Dublin -- 14 Kalfou Danjere? Interpreting Irish-Celtic Music -- 15 Music in Ireland: Youth Cultures and Youth Identity -- 16 The Invention of Ethnicity: Traditional Music and the Modulations of Irish Culture -- Select Bibliography -- Index.
Özet:
Music and Identity in Ireland and Beyond represents the first interdisciplinary volume of chapters on an intricate cultural field that can be experienced and interpreted in manifold ways, whether in Ireland (The Republic of Ireland and/or Northern Ireland), among its diaspora(s), or further afield. While each contributor addresses particular themes viewed from discrete perspectives, collectively the book contemplates whether 'music in Ireland' can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland (geographical, political, diasporic, mythical) and Music (including a proliferation of practices and genres) that give rise to multiple sites of identification. Arranged in the relatively distinct yet interweaving parts of 'Historical Perspectives', 'Recent and Contemporary Production' and 'Cultural Explorations', its various chapters act to juxtapose the socio-historical distinctions between the major style categories most typically associated with music in Ireland - traditional, classical and popular - and to explore a range of dialectical relationships between these musical styles in matters pertaining to national and cultural identity. The book includes a number of chapters that examine various movements (and 'moments') of traditional music revival from the late eighteenth century to the present day, as well as chapters that tease out various issues of national identity pertaining to individual composers/performers (art music, popular music) and their audiences. Many chapters in the volume consider mediating influences (infrastructural, technological, political) and/or social categories (class, gender, religion, ethnicity, race, age) in the interpretation of music production and consumption. Performers and composers discussed include U2, Raymond Deane, Afro-Celt
Sound System, E.J. Moeran, Séamus Ennis, Kevin O'Connell, Stiff Little Fingers, Frederick May, Arnold.
Notlar:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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