Pakistani architectural practise is adopting global trends and universal ideals without regard to its traditional roots, meanwhile critical regionalism has emerged as a significant global strategy for delivering a blend of legitimacy and contemporary architecture, particularly in developing nations. In addition, it promotes the production of architecture directly related to their surroundings and communities while being a component of the contemporary world. Therefore, using critical regionalism as a tool, this study will examine Pakistani architecture to understand the linkage between its tradition and modern technology. Within the scope of this thesis, theoretical studies on Critical Regionalism are first explored, concluded by eight aspects that, according to this research, go beyond what Kenneth Frampton and others had established. Then, an examination of the persisting problems in Pakistani architectural practises is performed. The following chapter examines critical regionalism in Pakistani architecture using the same eight factors. The examination includes the ideologies, works, and interviews with Pakistan's three most prominent architects: Nayyar Ali Dada, Kamil Khan Mumtaz, and Naeem Pasha. The research concludes by determining, via observations and deductions, the viability of critical regionalism as a tool. Due to a lack of publications on Pakistani architects and architecture, this study attempts to develop a framework for future studies on awareness and inspiration from selected architects' work. Keywords: Critical Regionalism, Architectural Practice, Pakistani Architecture, Sense of Place, Tradition, Modern Technology.