Refugee Performance : Practical Encounters. için kapak resmi
Refugee Performance : Practical Encounters.
Başlık:
Refugee Performance : Practical Encounters.
Yazar:
Balfour, Michael.
ISBN:
9781841507866
Yazar Ek Girişi:
Basım Bilgisi:
1st ed.
Fiziksel Tanımlama:
1 online resource (344 pages)
İçerik:
Cover -- Half Title -- Title -- Copyright -- Contents -- Acknowledgements -- Permissions -- Illustrations -- Author Biographies -- Preface -- Chapter 1: Iraqi Memories. A Personal and Poetic Exploration of Homecomings, Departures and Arrivals from a Theatre Director Who Fled Iraq in 1987 and Returns Home Again -- Chapter 2: On Stitches -- Chapter 3: Health Theatre in a Hmong Refugee Camp: Performance, Communication, and Culture -- Chapter 4: Play Extract: Forged in Fire -- Chapter 5: Narrative Theatre as an Interactive Community Approach to Mobilizing Collective Action in Northern Uganda -- Chapter 6: Marketing Trauma and the Theatre of War in Northern Uganda -- Chapter 7: Encounters in the Aida Refugee Camp in Palestine: Travel Notes on Attending Alrowwad Theatre's Production of Handala (2011) -- Chapter 8: Rape as War Strategy: A Drama from Croatia -- Chapter 9: Far Away, So Close: Psychosocial and Theatre Activities with Serbian Refugees -- Chapter 10: Play Extract: Refugees -- Chapter 11: 'Politics Begins as Ethics': Levinasian Ethics and Australian Performance Concerning Refugees -- Chapter 12: Refugee Performance: Encounters with Alterity -- Chapter 13: Repeat Performance: Dancing DiDinga with the Lost Boys of Southern Sudan -- Chapter 14: Theatre as a Healing Space: Ping Chong's Children of War -- Chapter 15: Drama and Citizenship Education: Tensions of Creativity, Content and Cash -- Chapter 16: Inclusive Democracy: A Consideration of Playback Theatre with Refugee and Asylum Seekers in Australia -- Chapter 17: Hospitable Stages and Civil Listening: Being an Audience for Participatory Refugee Theatre -- Index -- Back Cover.
Özet:
The title of this book, Refugee Performance, suggests there is a constituency of practices that might be unified under a definite term or god forbid to propose a new field of study. This is far from the intentions of the collection. This collection has grown out of an interest in performance and theatre in sites of war and the impact of conflict on diasporic communities. The chapters represent stories from a range of countries and war contexts, including Iraq, Thailand, Burma, Uganda, Palestine, Croatia, Serbia, Australia, the United Kingdom, and the United States of America. This is by no means a comprehensive guide to performance.
Notlar:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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