Cover -- Contents -- Acknowledgments -- Introduction -- Prologue: Ghostwriting the Holocaust: The Ghost Writer, The Diary, The Kindly Ones, and Me -- SECTION I. Psychoanalytic Listening and Fictions of the Holocaust -- 1 Voyeurism, Complicated Mourning, and the Fetish: Cynthia Ozick's The Shawl -- 2 Forced Confessions: Subject Position, Framing, and the "Art" of Spiegelman's Maus -- 3 Aryeh Lev Stollman's The Far Euphrates: Re-Picturing the Pre-Memory Moment -- SECTION II. Golems, Ghosts, Idols, and Messiahs: Complicated Mourning and the Intertextual Construction of a Jewish Symptom -- 4 Bruno Schulz, the Messiah, and Ghost/writing the Past -- 5 A Jewish History of Blocked Mourning and Love -- 6 See Under: Mourning -- SECTION III. Mourning Becomes the Nations: Styron, Schlink, Sebald -- 7 Blacks, Jews, and Southerners in William Styron's Sophie's Choice -- 8 (Re)Reading the Holocaust from a German Point of View: Bernhard Schlink's The Reader -- 9 Mourning and Melancholia in W. G. Sebald's Austerlitz -- Epilogue: Holocaust, Apartheid, and the Slaughter of Animals: J. M. Coetzee's Elizabeth Costello and Cora Diamond's "Difficulty of Reality" -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z.