MUSIC: COMPOSITION, INTERPRETATION AND EFFECTS -- MUSIC: COMPOSITION, INTERPRETATION AND EFFECTS -- CONTENTS -- PREFACE -- THE EFFECT OF SEXUALLY EXPLICIT RAP MUSIC ON SEXUAL ATTITUDES, NORMS, AND BEHAVIORS -- Abstract -- Introduction -- The Influence of Media on Sexual Attitudes -- The Influence of Rap Music on Sexual Aggression -- Unpacking Media Influence: The Roles of Viewing Amount and Viewer Involvement -- Method -- Experimental Design -- Participants -- Measures of Listening Motivations and Habits -- Frequency -- General Involvement -- Perceptions of Sexual Content in the Music -- Sexual Outcome Measures -- Attitudes about Sexuality -- Sexual Expectations and Perceived Norms -- Sexual Behavior -- Stimuli -- Procedure -- Results -- Preliminary Analysis -- Overview of Analysis -- Conclusion -- Appendix A. Full-Formatted Version of Pre-screen Measure -- Appendix B. Full-Formatted Version of Sexual Attitudes Measure -- Appendix C. Items That Make up Each sub Scale and Associated Reliabilities -- References -- MUSICAL EMOTION ASSESSMENT, BRAIN CORRELATES, AND GENDER DIFFERENCES -- Abstract -- The Musical Emotion Problem -- The Brain and Musical Emotion -- The Evaluation of Musical Emotions -- Brain Correlates of Pleasant and Unpleasant Music Emotions -- The Type and Number of Emotions Induced by Music Masterpieces Differ between Men and Women -- Differential EEG Correlation Patterns in Men and Women Experiencing Pleasant and Unpleasant Musical Emotions -- Discussion -- References -- THE IMPACT OF ADOLESCENTS' MUSIC VIDEOVIEWING ON RISKY DRIVING -- Abstract -- Introduction -- Aim of the Study -- Method -- Sample -- Measures -- Analyses -- Results -- Descriptive Statistics -- Prevalence of Music Video Viewing -- Prevalence of Risky Driving -- Model 1. Music Video Viewing and Fun Riding.

Model 2. Music Video Viewing and Driving after the Consumption of Alcohol -- Conclusion -- Acknowledgment -- References -- EMPIRICALLY VERIFIED MUSIC BASED HEALTHINTERVENTIONS -- Abstract -- Introduction -- Conceptual Framework -- Music Strategies Tested in Clinical Trails -- Guiding Handwashing Techniques via Music -- Videotaping Chronically Ill Patients Handwashing -- Singing about Handwashing in Multiple Languages for Community Health -- Summary Handwashing Jingle Testing Results -- Developing Music Strategies for Initiating Sleep -- Music Strategy Guiding Nightly Sleep Initiation with CPAP -- Summary of Nighttime Sleep Initiation Music Strategy -- Music Strategies for Power Naps -- Developing Music Strategies for Daytime Power Naps -- Short Naps for Fatigued Family Caregivers -- Short Naps for Graduate Students -- Recuperative Nap Strategies for Improving Safety on the Road -- Vigilance Test Results -- Confirmed Relationships between Vigilance and Driving Related Variables -- Three-Month Follow-up on Power Naps during On-duty Driving -- Conclusion -- References -- BURNOUT AND MUSIC USE IN A HIGH-COGNITIVEDEMAND OCCUPATION -- Burnout in a High-cognitive Demand Occupation -- The Beneficial Effects of Music Listening on Mood and Quality-of-work -- Purpose -- Method -- Participants and Study Design -- Measures -- Materials -- Results -- Participants -- Work Stress -- Burnout -- Music Listening -- Discussion -- Work Stress and Burnout -- Conclusion and Future Research -- References -- HEAVY METAL, COUNTRY MUSIC, AND PERSONALITY: RECONSIDERING THE STEREOTYPES -- Abstract -- Introduction -- Methods -- Results -- Differences among the Three Groups -- Heavy Metal -- Country -- Conclusions -- References -- MUSIC MEMORY AND RIGHT HIPPOCAMPUS -- Abstract -- Introduction -- Retrieval Success of Music Memory -- Music Related Activity in the Right Hippocampus.

Hippocampal Activity Related to Verbal Memory RetrievalSuccess -- Acknowledgment -- References -- CEREBRAL AREAS INVOLVED IN MUSICPERCEPTION: STUDYING MUSICOGENIC EPILEPSY -- Abstract -- Introduction -- Conclusion -- References -- MUSICAL SOURCE SEPARATION: METHODS AND APPLICATIONS -- Abstract -- 1.Introduction -- 2.SoundSourceMixingandSeparationTasks -- 2.1.SpeechandMusicSources -- 2.2.TheMixingProcess -- 2.3.MixingModels -- 2.3.1.InstantaneousModel -- 2.3.2.AnechoicModel -- 2.3.3.ConvolutiveModel -- 2.3.4.MatrixFormulation -- 2.3.5.ModelsintheTime-FrequencyDomain -- 2.4.TypesofMixtures -- 2.5.SeparationTasks -- 3.StereoSeparation -- 3.1.Sparsity -- 3.2.SparseTransformations -- 3.3.Time-FrequencyMasking -- 3.3.1.TheDUETAlgorithm -- 4.MonauralSeparation -- 4.1.Non-negativeMatrixFactorization -- 4.2.ComputationalAuditorySceneAnalysis -- 4.2.1.TheCochleagram -- 4.2.2.Correlogram -- 4.2.3.FeatureExtractionandGrouping -- 4.2.4.BinaryMaskingandResynthesis -- 5.Applications -- 5.1.MusicUp-Mixing -- 5.2.MusicRe-processing -- 5.3.AutomaticMusicTranscription -- 6.Conclusion -- References -- COPYRIGHT PROTECTION OF MUSIC USING DIGITAL WATERMARKING BASED ON ECHO EFFECT -- Abstract -- 1.Introduction -- 2.TheProposedTwoChannelSystemBasedonanExponentialTime-SpreadEchoKernelforMulti-BitWatermarking -- 2.1.TwoChannelDigitalWatermarkingSystem -- 2.2.TheLSBMethodfortheLeftChannel -- 2.2.1.TheEmbeddingProcess -- 2.2.2.TheDecodingProcess -- 2.3.ExponentialTime-SpreadEchoKernelbasedEchoHidingfortheRightChannel -- 2.3.1.EchoHidingandMotivationforExponentialTime-SpreadEchoKernel -- 2.3.2.WatermarkEmbeddingwithEchoHidingBasedonanExponentialTime-SpreadEchoKernel -- 3.AnalyzingtheEffectivenessofETEK -- 3.1.AudioData -- 3.2.AuthorizedDataforEmbedding -- 3.3.Parameters -- 3.4.SoundQualityEvaluation -- 3.5.AccuracyoftheDetectionProcess.

4.ExperimentalEnvironmentandTriangleEvaluationforDigitalWatermarking -- 4.1.MusicDataandWatermark -- 4.2.ComparativeMethods:BasicDefinitionsandParameterSetting -- 4.2.1.LeastSignificantBit -- 4.2.2.SingleEchoHiding -- 4.2.3.MultipleEchoHiding -- 4.2.4.NegativeEchoHiding -- 4.2.5.BackwardandForwardEchoHiding -- 4.2.6.TheProposedTwoChannelDigitalWatermarking -- 4.3.TheEmbeddingProcess -- 4.4.TheRetrievalProcess -- 4.5.TheAttackingProcess -- 4.6.ObjectiveDifferenceGrade -- 4.7.StirmarkBenchmarkforAudio -- 5.ExperimentalResults -- 6.Discussion -- 7.Conclusion -- Acknowledgments -- References -- CAN THE MACHINE PLAY CLASSICAL MUSIC LIKE A HUMAN? A SURVEY IN COMPUTATIONAL MUSIC PERFORMANCE -- Abstract -- 1.Introduction -- 2.MusicPerformance -- 2.1.FunctionsofExpressivity -- 3.ComputationalMusicPerformanceAchievements -- 3.1.DataAcquisition -- 3.2.ComputationalModelsforArtisticMusicPerformance -- 3.3.AutomaticMusicPerformance -- 4.FutureChallenges -- 5.Conclusion -- References -- INDEX.