Cover -- Contents -- Utopian Reconfigurations in the Culture of Convergence (Barbara klonowska Zofia kolbuszewska Grzegorz maziarczyk) -- Part One: Tradition -- "Nowhere plans for nobody": Constructing Utopia in Popular Music (Artur Blaim) -- Coming through Dystopia: Marjane Satrapi's Persepolis (Barbara Klonowska) -- "Reduce, Reuse, Recycle!" The BBC Children's Animation Bob the Builder, Project: Build It as an Ecotopia (Andrzej Sławomir Kowalczyk) -- Science, Power and Utopia in the Appleseed Universe (Katarzyna Pisarska) -- Destination - Eutopia: Nowa Huta in Polish Documentaries (Marta Komsta) -- Slapstick as a Utopian Weapon in Juliusz Machulski's Embassy (Patrycja Podgajna) -- Part Two: Transition -- The City in 3D: Dystopian Past, Utopian Moment (Urszula Terentowicz-Fotyga) -- The Carnivalesque Sense of the Armageddon: Richard Kelly's Menippea (Justyna Galant) -- Fan Fiction and Dystopian Classics: Utopianising Disruptions (Ludmiła Gruszewska-Blaim) -- The Taming of Dystopia in Progress: A Collage of Narrative Strategies in Barry J. Gardner's Webcomic Hyperbolic Dystopia (Elżbieta Perkowska-Gawlik) -- Part Three: Transposition -- Utopia, Affective Turn, Remediation and Transmediality: From the Dystopian Electronic World of We Are The Strange to the Utopia of International Community Support for an Alternative Filmmaker (Zofia Kolbuszewska) -- Nostalgia for Dystopia: Critical Nostalgia in Lucas Pope's Papers, Please (Mateusz Liwiński) -- Playable Dystopia? Interactivity and Narrativity in BioShock and BioShock Infinite (Grzegorz Maziarczyk) -- Notes on Contributors -- Index.