Cover -- Contents -- List of Figures -- List of Tables -- List of Music Examples -- List of Appendices -- Manuscript Sigla and Abbreviations -- Notes on Contributors -- Foreword -- Preface and Acknowledgements -- 1 Introduction -- 2 The Interconnection of Religious, Social and Musical Networks: Creating a Context for the Keyboard Music of Peter Philips and its Dissemination -- 3 The Liber fratrum cruciferorum Leodiensium and the Dissemination of Organ Repertoire in the Netherlands during the Seventeenth Century -- 4 The Pious Mr Philips and his Few-Voiced Motets at Isabella's Confraternity of Our Lady -- 5 The Ear of the Lynx: The Musical Legacy of the Accademia dei Lincei -- 6 Politics, Religion, Style and the Passamezzo Galliards of Byrd and Philips: A Discussion of Networks Involving Byrd and his Disciples -- 7 Musical Rhetoric Lost in Translation: National, Religious and Linguistic Networks and the Determination of Title in Sweelinck's Organ Variations on Psalm 36 -- 8 What is a Composer? Problems of Attribution in Keyboard Music from the Circle of Philips and Sweelinck -- 9 Orlando Gibbons's Keyboard Music: The Continental Perspective -- 10 A Pattern Recognition Approach to the Attribution of Early Seventeenth-Century Keyboard Compositions using Features of Diminutions -- 11 'Full of Art, and Profundity': The Five-Part Consort Pavan as a Medium for Sophisticated Musical Expression and Compositional Cross-Reference in Late Renaissance England -- 12 Networking, Patronage and Professionalism in the Early History of Violin Playing: The Case of William Brade (c.1560-1630) -- 13 Practice and Dissemination of Music in the Catholic Network as Suggested by the Music Collection of Edward Paston (1550-1630) and Other Contemporary Sources -- 14 Social Networking in Seventeenth-Century Italy: The 'Harmonious Letters' of a Monk-Musician -- Bibliography.

Index.