A Story of Ruins : Presence and Absence in Chinese Art and Visual Culture. için kapak resmi
A Story of Ruins : Presence and Absence in Chinese Art and Visual Culture.
Başlık:
A Story of Ruins : Presence and Absence in Chinese Art and Visual Culture.
Yazar:
Hung, Wu.
ISBN:
9781861899767
Yazar Ek Girişi:
Fiziksel Tanımlama:
1 online resource (296 pages)
Seri:
non-series
İçerik:
A Story of Ruins Cover -- Imprint page -- Contents -- Preface -- 1. internalizing Ruins: Premodern Sensibilities of Time Passes -- Where are the Ruins in Traditional Chinese Art? -- Qiu and Xu: Erasure and Remembrance -- The Stele and Withered Trees: Painting and Poetry on 'Lamenting the Past' -- Rubbing as Surrogate Ruin -- Ji: Traces in Landscape -- 2. The Birth of Ruins: Inventing a Modern Visual Culture in China -- Circulating Picturesque Ruins -- War Ruins: Conquering and Survival -- The Destruction, Ruination and Resurrection of the Garden of Perfect Brightness (Yuanming Yuan) -- 3. Between Past and Future: Transience as a Contemporary Aesthetic of Ruins -- Signifiers of Despair and Hope -- Representing Contemporary Ruins -- Coda: State Legacy -- References -- Works Cited -- Acknowledgements -- Index.
Özet:
This richly illustrated book examines the changing significance of ruins as vehicles for cultural memory in Chinese art and visual culture from ancient times to the present. The story of ruins in China is different from but connected to 'ruin culture' in the West. This book explores indigenous Chinese concepts of ruins and their visual manifestations, as well as the complex historical interactions between China and the West since the eighteenth century. Wu Hung leads us through an array of traditional and contemporary visual materials, including painting, architecture, photography, prints and cinema. A Story of Ruins shows how ruins are integral to traditional Chinese culture in both architecture and pictorial forms. It traces the changes in their representation over time, from indigenous methods of recording damage and decay in ancient China, to realistic images of architectural ruins in the nineteenth and twentieth centuries, to the strong interest in urban ruins in contemporary China, as shown in the many artworks that depict demolished houses and decaying industrial sites. The result is an original interpretation of the development of Chinese art, as well as a unique contribution to global art history.
Notlar:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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