A Tear in the Curtain The Musical Diplomacy of Erzsebet Szoenyi: Musician, Composer, Teacher of Teachers. için kapak resmi
A Tear in the Curtain The Musical Diplomacy of Erzsebet Szoenyi: Musician, Composer, Teacher of Teachers.
Başlık:
A Tear in the Curtain The Musical Diplomacy of Erzsebet Szoenyi: Musician, Composer, Teacher of Teachers.
Yazar:
Jaccard, Jerry L.
ISBN:
9781453912027

9781322115825
Yazar Ek Girişi:
Yayın Bilgileri:
New York : Peter Lang Publishing Inc., 2014.
Fiziksel Tanımlama:
1 online resource (352 p.)
Genel Not:
Description based upon print version of record.
İçerik:
Cover; Dedication; Table of Contents; List of Illustrations; List of Tables; Foreword; Preface; Acknowledgment; Chapter One: Anchored in Artistry; The School Years; A Manifest Career; Chapter Endnotes; Chapter Two: A Muse in the Making-The Academy Years; Opportunities in Abundance; Room to Fly-Life at the Academy; Music in Spite of War; Chapter Endnotes; Chapter Three: Up from the Ashes-Music Triumphant!; Teaching School; Challenges and Complications; Music out of Chaos; 1947-Prelude to Paris; Chapter Endnotes; Chapter Four: In Paris; Red Tape á la Mode; Surviving and Thriving in Paris

In Tony Aubin''s ClassIn Olivier Messiaen''s Class; In Nadia Boulanger''s Class; Inside the French Solfège System; Success in Paris; Chapter Endnotes; Chapter Five: A New Life in "New" Hungary; A 'Bear' in the House of Hungary; First Encounters: Composing under, around and through Communism; Composing for the Other Career; Final Ironies; Chapter Endnotes; Chapter Six: The Other Hungarian Revolution; 'Back to the Future' of Hungarian Music Education; Musical Reading and Writing; Composers Who Teach; The Woman in Charge; A Trusted Traveler; A More Sure Foundation; The Winds of Change

A Sound Heard Around the WorldChapter Endnotes; Chapter Seven: A New Kind of Teacher, A New Kind of Teaching; In North America; Global Turning Point; Inside Hungary: A New Generation of Music Teachers; A Cross-Section of Hungarian Students; Chapter Endnotes; Chapter Eight: A Tear in the Curtain; North America Joins the Revolution; The Boston "Ti" Party; The Ringer Kodály Fellowship Program; More Hands Across the Sea; Chapter Endnotes; Chapter Nine: Through the Curtain; Closer to Home and Far Away: Western Europe and the Pacific Basin; Time to Compose!; Chapter Endnotes

Chapter Ten: Living Wisdom-The Muse at HomeA 'Break in Transmission'; Composing to Please Herself; Two Operas and a Musical Play; A Motet, a Cantata, and an Oratorio; Works for Instrumental Ensembles, Chamber Music and Solo Instruments; Accompanied Solo Voice; Choral Works; Musings on Her Art; Why She Composes; How She Composes; Composing for Instruments; On Being a Woman Composer; On Being an "All-Eater": Elements of Style; "What Are You Working On Now?"; Pedagogical Lectures and Writings; Music for Healing; On Living with Freedom; Laurels for the Muse; Chapter Endnotes; Coda; Appendix I

Appendix IIBibliography; Archives; Interviews; Books and Articles; Index
Özet:
Why are so few women composers known to the general public and even fewer of their works studied and performed? More than one musicologist told the author that they are not famous enough to be considered! So then, can a woman who studied with Boulanger and Messiaen, who won the coveted Paris Conservatory Prize in Composition, who received the highest awards her country can bestow, and who produced some of the finest teaching musicians on the globe qualify as famous? This book is about one who can and does: Erzsebet Szoenyi, a Hungarian Renaissance woman, who, in spite of a repressive regime''s.
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