Two-Dimensional Sonata Form : Form and Cycle in Single-Movement Instrumental Works by Liszt, Strauss, Schoenberg and Zemlinsky.
Başlık:
Two-Dimensional Sonata Form : Form and Cycle in Single-Movement Instrumental Works by Liszt, Strauss, Schoenberg and Zemlinsky.
Yazar:
Vande Moortele, Steven.
ISBN:
9789461660145
Yazar Ek Girişi:
Fiziksel Tanımlama:
1 online resource (228 pages)
Seri:
Studies in Musical Form
İçerik:
Two-Dimensional Sonata Form -- Contents -- Acknowledgements -- Introduction -- Notes -- Chapter 1 Two‑Dimensional Sonata Form: A terminological and conceptual framework -- Levels of form -- Analogies between levels -- Projection of hierarchies -- Identification, interpolation, and exocyclic units -- Integration, process, and tension -- Further terminological considerations -- Notes -- Chapter 2 Liszt's B-minor Sonata -- The locus romanticus of two‑dimensional sonata form -- The exposition of the overarching sonata form -- Identification: first movement and exposition -- Interpolation: the slow movement -- Identification: scherzo-finale and recapitulation-coda -- Notes -- Chapter 3 Liszt: Tasso and Die Ideale -- Two‑dimensional sonata form in the second half of the nineteenth century -- Form in Liszt's symphonic poems -- Tasso: Lamento e trionfo (1847-54) 9 -- Die Ideale (1856-57) -- Notes -- Chapter 4 Strauss: Don Juan and Ein Heldenleben -- Strauss and Liszt -- Don Juan Op. 20 (1888-89) -- Ein Heldenleben Op. 40 (1897-98) -- Notes -- Chapter 5 Schoenberg's Pelleas und Melisande -- Before Pelleas -- Pelleas und Melisande Op. 5 (1902-03) -- Notes -- Chapter 6 Schoenberg's First String Quartet -- From program to absolute music -- Issues of form in the overarching sonata form -- Identification -- Interpolation and integration -- Overall form and tonal plan -- Notes -- Chapter 7 Schoenberg's First Chamber Symphony -- Overview -- Identification -- Interpolation -- Recapitulation, coda, and finale -- Notes -- Chapter 8 Zemlinsky's Second String Quartet -- First approach -- Identification -- Interpolation -- Notes -- Conclusion The significance of two-dimensional sonata form -- Appendix: Measure-Number Tables -- Bibliography -- Index of Names and Works.
Özet:
Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form.Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form that is so characteristic of the later nineteenth and early twentieth century.It then offers an in-depth examination of nine exemplary works by four Central European composers: the Piano Sonata in B minor and the symphonic poems Tasso and Die Ideale by Franz Liszt, Richard Strauss's tone poems Don Juan and Ein Heldenleben, the symphonic poem Pelleas und Melisande, the First String Quartet and the First Chamber Symphony by Arnold Schoenberg, and Alexander Zemlinsky's Second String Quartet.
Notlar:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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