Beyond Auteurism : New Directions in Authorial Film Practices in France, Italy and Spain Since the 1980s. için kapak resmi
Beyond Auteurism : New Directions in Authorial Film Practices in France, Italy and Spain Since the 1980s.
Başlık:
Beyond Auteurism : New Directions in Authorial Film Practices in France, Italy and Spain Since the 1980s.
Yazar:
Maule, Rosanna.
ISBN:
9781841502557
Yazar Ek Girişi:
Basım Bilgisi:
1st ed.
Fiziksel Tanımlama:
1 online resource (298 pages)
İçerik:
Front Cover -- Preliminary Pages -- Contents -- List of Illustrations -- List of Tables -- Acknowledgments -- Introduction -- Part One: The 'Death of Cinema' and the Institutionalization of the Author -- Chapter 1: The Film Author and the Survival of European Cinema -- Chapter 2: The Middle Generation: Maurice Pialat, Gianni Amelio, and Víctor Erice -- Chapter 3: The Difficult Legacy of the Nouvelle Vague: Olivier Assayas and French Film Authors at the End of Auteurism -- Part Two: The Film Author in the New Audio-visual System -- Chapter 4: For an Impure Cinema: Gabriele Salvatores and the Hybrid Nature of Film Authorship in Contemporary Italian Cinema -- Chapter 5: A Different Type of Cinephilia: Alejandro Amenábar and the New Generation of Spanish Film Authors -- Chapter 6: Made in Europa: Luc Besson and the Question of Cultural Exception in Post-auteur France -- Part Three: The Female Author in the Era of Post-feminism -- Chapter 7: Auteurism and Women's Cinema in France, Italy and Spain -- Chapter 8: Female Authors and Gendered Identity in Film: Claire Denis's Post-subjective Representation -- Chapter 9: Feminine Matters: Francesca Archibugi and the Reconfiguration of Women in the Private Sphere -- Conclusion -- Bibliography -- Index -- Back Cover.
Özet:
Beyond Auteurism is a comprehensive study of nine film authors from France, Italy and Spain who since the 1980s have blurred the boundaries between art-house and mainstream, and national and transnational film production. Maule examines how the individuals have maintained a dialectical relationship with the authorial tradition of the national cinema to which each belongs. In considering this tradition, Maule seeks to illustrate that the film author is not only the most important symbol of European cinema's cultural tradition and commitment, but is also a crucial part of Europe's efforts to develop its cinema within domestic and international film industries. The book studies the work, practices and styles of European film-makers including Luc Besson, Claire Denis, Gabriele Salvatores and Alejandro Amenábar. Beyond Auteurism offers an important contribution to a historicized and contextualized view of film authorship from a theoretical framework that rejects Western-centred and essentialist views of cinematic practices and contexts.
Notlar:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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