Poems for the Millennium, Volume Three : The University of California Book of Romantic & Postromantic Poetry. için kapak resmi
Poems for the Millennium, Volume Three : The University of California Book of Romantic & Postromantic Poetry.
Başlık:
Poems for the Millennium, Volume Three : The University of California Book of Romantic & Postromantic Poetry.
Yazar:
Rothenberg, Jerome.
ISBN:
9780520942202
Yazar Ek Girişi:
Basım Bilgisi:
1st ed.
Fiziksel Tanımlama:
1 online resource (957 pages)
İçerik:
Contents -- Introduction -- Thanks & Acknowledgments -- PRELUDIUM -- Jean-Jacques Rousseau -- from The Social Contract -- from Reveries of the Solitary Walker -- Emanuel Swedenborg -- from The Spiritual Diary -- Denis Diderot -- from Rameau's Nephew: An Improvisation -- Christopher Smart -- from Jubilate Agno -- Erasmus Darwin -- from The Loves of the Plants: Mimosa and Tremella -- James Macpherson -- from Ossian: The Songs of Selma -- Donatien Alphonse François, marquis de Sade -- from Juliette, or Vice Amply Rewarded -- Francisco Goya -- Four Caprichos -- Johann Wolfgang von Goethe -- Prometheus -- Thomas Chatterton -- from The Rowley Poems: An Excelente Balade of Charitie: As wroten bie the goode Prieste Thomas Rowley, 1464 -- Seven Ancient Monuments: Map of Rudhall and Redcliff Wall -- Mary Robinson -- from A Letter to the Women of England on the Injustice of Mental Subordination -- William Blake -- from America a Prophecy: Preludium -- A FIRST GALLERY: From Goethe & Blake to Solomos & Pushkin -- Johann Wolfgang von Goethe -- Mignon's Song -- from Scenes from the Faust of Goethe [two versions] -- from Venetian Epigrams -- from Trilogy of Passion: The Marienbad Elegy -- The Metamorphosis of Plants -- from Theory of Color: The Blindingly Bright Colorless Form -- William Blake -- from Songs of Innocence and of Experience -- from An Island in the Moon: Chap 9 -- The Mental Traveller -- from Milton, Book the First: The Vortex -- from Milton, Book the Second: "There is a place where Contrarieties are equally True" -- from Jerusalem: The Covering Cherub -- Joseph Joubert -- from The Notebooks: 1789 - 1794 -- Mary Robinson -- A London Summer Morning -- To the Poet Coleridge -- from Sappho and Phaon: Six Sonnets -- Robert Burns -- A Red, Red Rose -- Love and Liberty. A Cantata -- Jean Paul [Richter].

First Flower-Piece: Speech of the Dead Christ from the Top of the Universe: That There Is No God -- Germaine de Staël -- Corinne's Improvisation in the Naples Countryside -- Corinne's Last Song -- Friedrich Hölderlin -- I Once Asked the Muse -- In the Forest -- Palimpsest: Columbus -- William Wordsworth -- Lines Written in Early Spring -- The Female Vagrant -- Nine Sonnets: From London to Paris, August/September 1802 -- from The Prelude, Book Fifth: Books -- Ode: "There was a time" -- Dorothy Wordsworth -- from The Grasmere Journals -- Grasmere, Lineated -- Novalis -- from Faith and Love or The King and the Queen -- from Hymns to the Night [5 and 6] -- Samuel Taylor Coleridge -- Kubla Khan: Or, A Vision in a Dream: A Fragment -- Dejection: An Ode -- Urine -- Fragments from the Gutch Notebook -- Fire, Famine, and Slaughter: A War Eclogue -- Ne Plus Ultra -- Charles Fourier -- from The Theory of the Four Movements -- The Phalanx at Dawn -- Thomas De Quincey -- Dream-Fugue: On the Theme of Sudden Death -- George Gordon, Lord Byron -- Darkness -- from Childe Harold's Pilgrimage, Canto Three -- from Don Juan: Dedication -- On This Day I Complete My Thirty-Sixth Year -- Giuseppe Belli -- Eleven Roman Sonnets: For the Pope -- Percy Bysshe Shelley -- Song from Prometheus Unbound -- On the Medusa of Leonardo da Vinci in the Florentine Gallery -- Queen Mab: Canto VII -- England in 1819 -- from Peter Bell the Third: Hell -- "Arethusa," with Robert Duncan's "Shelley's Arethusa Set to New Measures" -- Ode to Liberty -- John Clare -- [I Am: A Sonnet & a Variation] -- The Badger: A Sequence -- from Letter to Messrs Taylor and Hessey -- [Mouse's Nest] -- Emmonsails Heath in Winter -- from The Progress of Rhyme -- Jack Randalls Challenge to All the World -- To John Clare -- Letter to Mr. Jas. Hipkins -- John Keats -- Butterflies, Lineated.

"What can I do to drive away" -- from Endymion, Book One: Hymn to Pan -- Sonnet: "If by dull rhymes" -- Meg Merrilies -- Sonnet: "Bright star" -- Ode to Psyche -- Ode to a Nightingale -- Dream and Dream Sonnet: Paolo and Francesca -- Ode on Melancholy -- "This living hand" -- Heinrich Heine -- Ezra Pound, after Heine: Und Drang -- Morphine -- Heine per Gerard de Nerval -- from Ludwig Börne: A Memorial -- from Germany: A Winter's Tale [23 - 26] -- Adam Mickiewicz -- from Crimean Sonnets: The Ruins of the Castle of Balaklava -- The Romantic -- from Pan Tadeusz -- from Forefathers' Eve: The Great Improvisation -- Giacomo Leopardi -- L'Infinito -- Saturday Night in the Village -- from Operette Morali: Announcement of Prizes by the Academy of Syllographs -- Broom, or the Flower of the Desert -- Dionysios Solomos -- The Destruction of Psara -- The Shark -- The Woman of Zante -- Aleksander Pushkin -- The Emperor Nicholas I -- The Prophet -- from The Bronze Horseman: Introduction -- Tsar Nikita and His Daughters -- from Eugene Onegin: Onegin at the Theater -- A BOOK OF ORIGINS -- Prologue -- William Blake -- from The Marriage of Heaven and Hell: The Ancient Poets -- E. A. Wallis Budge -- from The Egyptian Book of the Dead: The Chapter of Changing into Ptah -- G. R. S. Mead -- from Pistis Sophia: O Light of Lights [Coptic Gnostic] -- Sir William Jones -- Two from Sanskrit -- Edward FitzGerald -- from The Rubaiyat of Omar Khayyam [Farsi] -- Daniel G. Brinton -- from Rig Veda Americanus: Two for the Goddess [Aztec] -- Henry Wadsworth Longfellow / Henry Rowe Schoolcraft -- Song of the Owl [Ojibwa] -- Washington Matthews -- from The Night Chant: Prayer of the First Dancers [Navajo] -- Francis J. Child -- Sir Patrick Spence -- Percy Bysshe Shelley -- Homer's Hymn to the Moon [Greek] -- Vuk Karadžic.́

A Poem for the Goddess Her City & the Marriage of Her Son & Daughter [Serbian] -- Lady Charlotte Guest -- Hanes Taliesin / The Tale of Taliesin [Welsh] -- Esaias Tegnér / Henry Wadsworth Longfellow -- from Frithiof's Saga [Icelandic / Swedish] -- Christmas Gysarts [Mummers] Play from Bowden -- Thomas Wentworth Higginson -- from Negro Spirituals -- Anonymous -- Song of the Bald Mountain Witches & Magic Nymphs [Russian] -- Five Dream Works, from Coleridge to Freud -- Samuel Taylor Coleridge: from The Notebooks -- Mary Shelley: The King of Cats, a Ghost Narrative -- Gerard de Nerval: from Aurelia, or Dream and Life -- Georg Büchner: from Lenz -- Sigmund Freud: from The Dream-Work -- Charles Darwin -- from The Origin of Species -- A SECOND GALLERY: From Hugo & Lönnrot to Swinburne & Mallarmé -- Victor Hugo -- The Grave and the Rose -- The Slope of Reverie -- Russia 1812 -- from The Art of Being a Grandfather -- from God: The Threshold of the Abyss -- Ma Destinée -- Elias Lönnrot -- from Kalevala: In the Beginning -- Thomas Lovell Beddoes [Epigraph] from Death's Jest Book, Act One -- Dream of Dying -- A Crocodile -- from Death's Jest Book: Three Songs -- Dream-Pedlary -- Elizabeth Barrett Browning -- Two Sonnets, for George Sand -- A Musical Instrument -- from Sonnets from the Portuguese: Three Sonnets -- from Aurora Leigh, Fifth Book [excerpt] -- Aloysius Bertrand -- from Gaspard de la Nuit: Preface and Six Poems -- Gerard de Nerval [Epigraph] from Aurelia, or Dream and Life -- Panorama -- Les Chimères -- Ralph Waldo Emerson -- Days -- Woods: A Prose Sonnet -- from The Notebooks: "Turtle in swamp" -- Hamatreya -- Ode, Inscribed to W. H. Channing -- Blight -- Bacchus -- Edgar Allan Poe -- Sonnet-Silence -- The Haunted Palace -- from Eureka, a Prose Poem -- Alfred Tennyson -- "Flower in the crannied wall" -- The Hesperides.

from Maud, or The Madness "Come into the garden, Maud" -- Robert Browning -- "Heap cassia, sandal-buds and stripes" -- Caliban upon Setebos, or Natural Theology in the Island -- Soliloquy of the Spanish Cloister -- Edward Lear -- Eight Limericks -- Mr and Mrs Discobbolos -- Letter to Mrs Stuart Wortley: The Moon Journey -- "How pleasant to know Mr Lear!" -- Søren Kierkegaard -- The Illegible Letter -- from Either/Or: Diapsalmata -- Nebuchadnezzar -- Mikhail Lermontov -- My Demon -- Untitled Poem -- A Dream -- New Year's Poem -- Walt Whitman -- Fragment from "The Sleepers" -- from Song of Myself: "I have heard what the talkers were talking" -- This Compost -- Respondez! or Poem of the Propositions of Nakedness -- I Sing the Body Electric -- Good-bye My Fancy! -- Herman Melville -- Lines-after Shakespeare -- The Maldive Shark -- from Moby Dick Father Mapple's Hymn -- The Cabin -- A Squeeze of the Hand -- from Billy Budd: Billy in the Darbies -- Cyprian Norwid -- The Sphinx -- What Did You Do to Athens, Socrates? -- Chopin's Piano -- Charles Baudelaire -- Correspondences -- Two Prose Poems -- A Carrion -- Litanies of Satan -- The Voyage -- To the Reader -- Sándor Petöfi -- The Madman -- Homer and Ossian -- from The Apostle [1, 3, 4] -- Dante Gabriel Rossetti -- from Dante's New Life: His Pitiful Song -- Troy Town -- The Blessed Damozel: A Double Work of Art -- from A Trip to Paris and Belgium -- Emily Dickinson -- #1249 "Had I not seen the Sun" -- Poem fragment: "We do not think / enough of the / Dead" -- #627 "I think I was enchanted" -- #764 "My Life had stood - a Loaded Gun - " -- #706 "I cannot live with You - " -- #778 "Four Trees - opon a solitary Acre - " -- Visual poem: "A poor - torn heart - a tattered heart" -- To Recipient Unknown -- Christina Rossetti -- My Dream -- The Convent Threshold -- from Goblin Market.

Sousandrade [Joaquim de Sousa Andrade].
Özet:
The previous two volumes of this acclaimed anthology set forth a globally decentered revision of twentieth-century poetry from the perspective of its many avant-gardes. Now editors Jerome Rothenberg and Jeffrey C. Robinson bring a radically new interpretation to the poetry of the preceding century, viewing the work of the romantic and post-romantic poets as an international, collective, often utopian enterprise that became the foundation of experimental modernism. Global in its range, volume three gathers selections from the poetry and manifestos of canonical poets, as well as the work of lesser-known but equally radical poets. Defining romanticism as experimental and visionary, Rothenberg and Robinson feature prose poetry, verbal-visual experiments, and sound poetry, along with more familiar forms seen here as if for the first time. The anthology also explores romanticism outside the European orbit and includes ethnopoetic and archaeological works outside the literary mainstream. The range of volume three and its skewing of the traditional canon illuminate the process by which romantics and post- romantics challenged nineteenth-century orthodoxies and propelled poetry to the experiments of a later modernism and avant-gardism.
Notlar:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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