Cover -- Title Page -- Copyright Page -- Table of Contents -- Introduction -- THEORY -- Bourdieu, Capital, and the Postcolonial Marketplace -- FICTION -- 'Savage' Violence and the Colonial Body in Nathaniel Crouch's The English Acquisitions in Guinea and East India (1708) and in Edward Cooke's A Voyage to the South Sea (1712) -- Saccharographies -- "The dark races stand still, the fair progress": Matthew Kneale's English Passengers and the Intellectual Commodification of Colonial Encounter in Tasmania -- A Children's Classic between Imperial Nostalgia and Transcultural Reinvention -- Think Local Sell Global: Magical Realism, The Whale Rider, and the Market -- Dialogue Within Changing Power-Structures: Commodification of Black South African Women's Narratives by White Women Writers? -- Phantasmagorical Representations of Postcolonial Cityscapes in Salman Rushdie's Fury (2002) and Suketu Mehta's Maximum City: Bombay Lost and Found (2004) -- DRAMA -- Amiri Baraka's Revisiting of Slavery : Memory, Historical Amnesia, and Commodification -- Moving Beyond Irish (Post) Colonialism by Commodifying (Post) Colonial Stage Irishness: Martin McDonagh's Plays as Global Commodities -- FILM AND POP MUSIC -- The Moveable Frontier: John Ford and Howard Hawks at Home and in Africa -- "We are the ones you do not see": The Need for a Change of Focus in Filming Black Britain -- Exoticism and Authenticity in Contemporary British-Asian Popular Culture : The Commodification of Difference in Bride & Prejudice and Apache Indian's Music -- Salman Rushdie Superstar: The Making of Postcolonial Literary Stardom -- Celebrity Conservationism, Postcolonialism, and the Commodity Form -- Notes on Contributors.