Contents -- List of Illustrations -- Introduction. Phonoplay: Recasting Film Music -- PART I: MUSICAL MEANING -- 1. The Boy on the Train, or Bad Symphonies and Good Movies: The Revealing Error of the "Symphonic Score" -- 2. Representing Beethoven: Romance and Sonata Form in Simon Cellan Jones's Eroica -- 3. Minima Romantica -- 4. Melodic Trains: Music in Polanski's The Pianist -- 5. Mute Music: Polanski's The Pianist and Campion's The Piano -- PART II: MUSICAL AGENCY -- 6. Opera, Aesthetic Violence, and the Imposition of Modernity: Fitzcarraldo -- 7. Sight, Sound, and the Temporality of Myth Making in Koyaanisqatsi -- 8. How Sound Floats on Land: The Suppression and Release of Folk and Indigenous Musics in the Cinematic Terrain -- 9. Auteur Music -- 10. Transport and Transportation in Audiovisual Memory -- 11. The Fantastical Gap between Diegetic and Nondiegetic -- PART III: MUSICAL IDENTITY -- 12. Early Film Themes: Roxy, Adorno, and the Problem of Cultural Capital -- 13. Before Willie: Reconsidering Music and the Animated Cartoon of the 1920s -- 14. Side by Side: Nino Rota, Music, and Film -- 15. White Face, Black Noise: Miles Davis and the Soundtrack -- 16. Men at the Keyboard: Liminal Spaces and the Heterotopian Function of Music -- Notes on Contributors -- Works Cited -- Index of Films Cited -- Index of Names -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z.