Daily Book of Classical Music : 365 Readings That Teach, Inspire and Entertain. için kapak resmi
Daily Book of Classical Music : 365 Readings That Teach, Inspire and Entertain.
Başlık:
Daily Book of Classical Music : 365 Readings That Teach, Inspire and Entertain.
Yazar:
Chew, Leslie.
ISBN:
9781610586061
Yazar Ek Girişi:
Fiziksel Tanımlama:
1 online resource (376 pages)
İçerik:
Cover -- Title -- About the Authors -- THE DAILY BOOK OF: Classical music -- Introduction -- Medieval Music (400-1400) WHERE IT ALL BEGAN -- Binary Form: WE KNOW WHAT WE WANT -- Ludwig van Beethoven: (1770-1827) THE MUSIC INSIDE HIS HEAD -- Symphony No. 5 in C minor -- Dido and Aeneas: HENRY PURCELL (1659-1695) -- The Orchestra: MAKING BEAUTIFUL MUSIC TOGETHER -- Music Theory: FULL OF SOUND AND THEORY -- Arena di Verona: THE GODFATHER OF AMPHITHEATERS -- Mozarthaus Vienna: AT HOME WITH MOZART -- Beethoven and Rosemary's Baby: THE DEVIL'S IN THE DAKOTA -- Early Medieval: (BEFORE 1150) MORE THAN MEETS THE EAR -- Ternary: TO RETURN, ONE MUST FIRST LEAVE -- Johannes Brahms (1833-1897) LOOKING BOTH WAYS -- Eine Kleine Nachtmusik -- Le nozze di Figaro (The Marriage of Figaro): WOLFGANG AMADEUS MOZART (1756-1791) -- The String Section: LOTS OF STRINGS ATTACHED -- Ear Training and Sound Recognition: SOUNDS LIKE... -- Carnegie Hall: NEW YORK'S FINEST -- The International Chopin Festival: EUROPE'S OLDEST PIANO FESTIVAL -- Khachaturian's Adagio in 2001: A Space Odyssey: THE COLD, LONELY, INFINITE EXPANSE OF SPACE -- High Medieval (1150-1300) POETRY IN MOTION -- Inner Forms 1: Motive: WOULD YOU REPEAT THAT? -- Felix Mendelssohn-Bartholdy: (1809-1847) A SHORT, BRIGHT LIGHT -- Air on the G String -- Don Giovanni: WOLFGANG AMADEUS MOZART (1756-1791) -- The Violin: A 450-YEAR-OLD LOVE AFFAIR -- What Is Musical Form?: TIME AND PATTERN ARE ESSENTIAL -- Royal Albert Hall: BRILLIANT SET OF PIPES -- Get in Line...Early: BAYREUTH FESTIVAL AND RICHARD WAGNER MUSEUM -- Beethoven's "Ode to Joy" in Help: TIGERS HAVE TASTE -- Late Medieval: (1300-1400) WHEN POETRY AND MUSIC CAME TOGETHER -- Minuet and Trio: ONE, TWO, THREE, ONE, TWO, THREE... -- Sergei Rachmaninov: (1873-1943) MUSIC FROM HIS DEPTHS -- Adagio for Strings.

Cosi fan Tutte: WOLFGANG AMADEUS MOZART (1756-1791) -- The Viola: KISSING COUSIN TO THE VIOLIN -- How We Perceive Musical Form: THE SHAPE OF SOUND -- La Fenice: FORGED BY FIRE -- Moab Music Festival, Utah: MUSIC IN CONCERT WITH LANDSCAPE -- Benjamin and The Man Who Knew Too Much: STORM CLOUDS ARE BREWING -- Renaissance: (1400-1600) MUSICAL PROGRESS IN THREE PARTS -- Inner Forms 2: The Sentence: A STUDY IN COMPLEXITY -- Richard Wagner: (1813-1883) LOVE HIM OR HATE HIM -- The Four Seasons -- Die Zauberflöte (The Magic Flute): WOLFGANG AMADEUS MOZART (1756-1791) -- The Cello: GIVING VOICE TO THE MUSIC -- Music as Organized Sound: AS OPPOSED TO DISORGANIZED NOISE -- Sydney Opera House: WORTH THE STRUGGLE -- London Handel Festival: HANDEL COMES HOME -- Gustav Mahler and Death in Venice: LIKE THE MUSIC? GET THE BOOK -- Renaissance-Notation: (1400-1600) THEY DID IT THEIR WAY -- Da Capo Aria: AN OPPORTUNITY TO SHOW OFF -- Arnold Schoenberg: (1874-1951) COMING FULL CIRCLE -- Clair de Lune -- Il Barbiere di Siviglia (The Barber of Seville): GIOACHINO ROSSINI (1792-1868) -- The Double Bass: HIGHLIGHTING THE LOWDOWN -- Music Notation: JUST THE BASICS -- The Metropolitan Opera House: YOU HAVE ARRIVED -- Verbier Festival: NEWCOMER FESTIVAL TAKES OFF -- Classical Music Television Broadcasts: SOMETHING FOR THE ENTIRE FAMILY -- Renaissance-Instruments (1400-1600) MEET THE PLAYERS -- Inner Forms 3: Subphrase and Phrase: LEARNING MUSICAL GRAMMAR -- Wolfgang Amadeus Mozart: (1756-1791) CHILD STAR -- Piano Concerto No. 2 in C minor -- La Cenerentola (Cinderella): GIOACHINO ROSSINI (1792-1868) -- The Hurdy-Gurdy: FUNNY NAME, STORIED PAST -- Building Blocks: NOTATIONAL ILLUSTRATIONS OF ORGANIZED SOUND -- Massey Hall: IF MASSEY BUILDS IT... -- Aspen Music Festival and School: ALL OF NATURE'S A STAGE.

Raging Bull and "Intermezzo" from Cavalleria Rusticana: MASCAGNI'S ORCHESTRAL CONTRAST -- Renaissance-Time Periods: (1400-1600) EVERYBODY DANCE NOW -- Suite: BAROQUE DEEJAYS... -- Claude Debussy: (1862-1918) BREAKING ALL THE RULES -- Rhapsody in Blue -- La Sonnambula (The Sleepwalker): VINCENZO BELLINI (1801-1835) -- The Woodwind Section: A LARGE FAMILY WITH DISTINCTIVE VOICES -- Notation of Rhythm and Meter: FASTER AND FASTER -- Vienna State Opera House: A SYMBOL OF PERSEVERANCE -- Boston Early Music Festival: JUST LIKE OLD TIMES -- Strauss and 2001: A Space Odyssey: WHO SAYS SPACECRAFTS CAN'T DANCE? -- Baroque Music: (1600-1750) A TREE BEARING MUCH FRUIT -- Theme and Variations: THIS MELODY HAS LOTS OF POTENTIAL -- Frédéric Chopin: (1810-1849) ROMANCING THE IVORIES -- Nocturne No. 2 in E flat major -- Norma: VINCENZO BELLINI (1801-1835) -- The Flute: WIND IN, MELODY OUT -- Tempo and Italian Terminology: IT JUST SOUNDS BETTER -- Symphony Hall, Boston: REMARKABLY WELL PRESERVED -- Music Still Floats Through the Halls: MENDELSSOHN HOUSE AND FESTIVAL IN LEIPZIG -- Puccini's "O mio babbino caro" and A Room With a View: ARIAS OF ADVENTURE -- Early Baroque (1600-1650) COMPOSERS TAKE CHARGE -- Inner Forms 4: The Period: FOR EVERY QUESTION, THERE IS AN ANSWER -- Franz Liszt (1811-1886): GOD, WOMEN, AND SONG -- Canon in D major -- L'elisir d'amore (The Elixir of Love): GAETANO DONIZETTI (1797-1848) -- The Clarinet: TRICKY, BUT WORTH IT -- Melody: HUM A FEW BARS -- La Monnaie, Brussels: A VENUE THAT HELPED CREATE A NATION -- Newport Music Festival: LOCATION, LOCATION, LOCATION -- All That Jazz-and Vivaldi Too: "SHOWTIME!" -- Middle Baroque (1650-1700) HAIL TO THE CHIEF! -- Rondo: TO EVERYTHING, RETURN, RETURN, RETURN -- Hector Berlioz (1803-1869) AN OBSESSIVE GENIUS -- Three Gymnopédies -- Lucia di Lammermoor: GAETANO DONIZETTI (1797-1848).

The Oboe: JUST ABOUT PERFECT PITCH -- Harmony and Chords: ALL TOGETHER NOW -- Suntory Hall, Tokyo: IT'S ALL IN THE SEATING ARRANGEMENT -- Puccini Festival: ARIAS BY THE LAKE -- The Planets Are Everywhere: GUSTAV HOLST'S STELLAR FAVORITE -- Late Baroque (1680-1750): HERE COME THE GREATS -- Concerto Grosso: ALL FOR ONE, AND ONE FOR ALL! -- Antonín Dvo(omitted)ák (1841-1904) THE CLASSICAL BOHEMIAN -- Symphony No. 9 ("From the New World") -- Rigoletto: GIUSEPPE VERDI (1813-1901) -- The Bassoon: DON'T UNDERESTIMATE IT -- Intervals, Modes, and Emotions: THE MAJOR MODE -- Mariinsky Theatre: HOME OF THE KIROV -- Glimmerglass Opera: LAKESIDE LISTENING -- Bach and The Silence of the Lambs: KILLER MELODIES -- Classical Period: (1750-1825) VIENNA IS THE PLACE TO BE -- Canon: THE CHASE IS ON! -- Giuseppe Verdi (1813-1901) "VIVA VERDI!" -- Ave Maria -- La Traviata (The Woman Who Strayed): GIUSEPPE VERDI (1813-1901) -- The Brass Section: HORNS APLENTY -- The Minor Modes: LOWERED SCALE DEGREES -- Musikverein, Vienna: TOO BEAUTIFUL FOR MUSIC? -- Festival d'Aix en Provence: A COURTYARD THEATER TRADITION IS BORN -- Pachelbel and Ordinary People: A SHOWCASE FOR THE CANON -- Rococo/Galant: MORE IS MORE -- Scherzo: SURELY, YOU MUST BE JOKING -- Johann Sebastian Bach (1685-1750) MORE THAN JUST A GOOD ORGANIST -- Symphony No. 94 ("Surprise") -- Aida: GIUSEPPE VERDI (1813-1901) -- The Trumpet: FROM THEIR LIPS TO YOUR EARS -- Flats, Sharps, and Naturals -- Place des Arts, Montreal: THE ARTISTIC PULSE OF THE CITY -- Dresden Music Festival: FOUNDED BY DECREE DURING THE COLD WAR -- Mozart in Out of Africa: SOUNDS LIKE ROMANCE -- Classicism: First Viennese School (1760-1775) HAYDN GAVE US MORE THAN ONE FEELING -- Sarabande: MUSIC TO DANCE BY -- Aaron Copland (1900-1990) AMERICA'S COMPOSER -- Peter and the Wolf -- Otello (Othello): GIUSEPPE VERDI (1813-1901).

The French Horn: PLAYING WITH HAND AND MOUTH -- Gravity and Tonality in Music: THAT SOUNDS HEAVY -- Royal Opera House, London: THE QUEEN'S PRIDE -- Glyndebourne: SOMETHING OLD, SOMETHING NEW -- Barber and Platoon: ANTIDOTE AND ACCOMPANIMENT TO WAR -- Classicism: First Viennese School (1775-1790) MOZART STEPS UP -- Fugue: IS THAT YOUR FINAL ANSWER? -- Charles Ives (1874-1954) LIVING IN THE TENSION -- "Moonlight" Sonata -- Der fliegende Holländer: (THE FLYING DUTCHMAN) RICHARD WAGNER (1813-1883) -- The Trombone: A MOST FORTUNATE NAME CHANGE -- Tonic Rules: EVEN WITHOUT THE GIN -- Vigado, Budapest: IT'S NOT ALWAYS ABOUT ACOUSTICS -- Oregon Bach Festival: A CLASSICAL WORLD EVENT IN THE PACIFIC NORTHWEST -- Bellini and The Bridges of Madison County: MUSIC THAT MAKES THE HEART SING -- Classicism: First Viennese School (1790-1825) BYE BYE BAROQUE -- Sonata: NOT TO BE CONFUSED WITH SINATRA -- Igor Stravinsky (1882-1971) A LIFE OF EVOLUTION, AN AGENT OF CHANGE -- Blue Danube -- Lohengrin: RICHARD WAGNER (1813-1883) -- The Tuba: PLAYING WITH THE BIG BOYS -- Cadences: MUSIC'S TRAFFIC LIGHT -- Royal Festival Hall, London: PROBLEMATIC, YET STILL BELOVED -- Rossini Opera Festival: REVIVING LOST MASTERPIECES -- Moon Music: A BIT OF DEBUSSY IS JUST THE RIGHT STUFF -- Romanticism: AN EMOTIONAL APPEAL -- Waltz: I COULD'VE DANCED ALL NIGHT... -- Béla Bartók (1881-1945) NO ONE ELSE COMPARES -- Missa Papae Marcelli -- Tristan und Isolde: RICHARD WAGNER (1813-1883) -- The Percussion Section: ACCESSORIZING WITH A SNAP, CRACKLE, AND POP -- Diatonic and Chromatic Scales: STEPPING IT UP BY HALVES -- Festspielhaus, Bayreuth: WAGNER, WAGNER EVERYWHERE -- Edinburgh International Festival: TRANSFORMATION, THE SCOTTISH WAY -- Mozart's "Romance: Andante" and Alien: KEEPING MONSTERS AT BAY -- Sturm und Drang (Storm and Stress): MUSIC TO SHOCK AND AWE -- Concerto: ONE AGAINST MANY.

Gustav Holst (1874-1934) HE'S OUT OF THIS WORLD.
Notlar:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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