Cover Page -- Title Page -- Copyright -- Contents -- Introduction -- Part 1 / Europe as a Source of Jazz -- 1 / The Influence of Celtic Music on the Evolution of Jazz -- 2 / Beyond the "Spanish Tinge": Hispanics and Latinos in Early New Orleans Jazz -- 3 / Why Did Art Music Composers Pay Attention to "Jazz"? The Impact of "Jazz" on the French Musical Field, 1908-1924 -- 4 / Violin and Bowed Strings in Jazz: A French School? -- 5 / Sacred, Country, and Urban Tunes: The European Songbook -- "Greensleeves" to "Les feuilles mortes" ("Autumn Leaves"), "Gigolo" to "O sole mio" -- 6 / Across Europe: Improvisation as a Real and Metaphorical Journey -- Part 2 / Jazz Meets Europe -- 7 / Cross-Cultural Links: Black Minstrels, Cakewalks, and Ragtime -- 8 / Benny Carter in Britain, 1936-1937 -- 9 / "A New Reason for Living": Duke Ellington in France -- 10 / Cool Jazz in Europe -- 11 / Orchestral Thoughts: Jazz Composition in Europe and America (An Interview with Composer-Director Giorgio Gaslini) -- 12 / The New Orleans Revival in Britain and France -- 13 / The European Jazz Avant-Garde of the Late 1960s and Early 1970s Where Did Emancipation Lead? -- Part 3 / The Circulation of Eurojazzland -- 14 / Did Europe "Discover" Jazz? -- 15 / European Jazz Developments in Cross-Cultural Dialogue with the United States and Their Relationship to the Counterculture of the 1960s -- 16 / Europe and the New Jazz Studies -- 17 / Revisioning History Lived: Four European Expats, Three Men and One Woman, Who Shaped One American Life in Two American Cultures -- 18 / Utopian Sounds: Mimesis and Identity in European Jazz Technologies -- 19 / Roots and Collage: Contemporary European Jazz in Postmodern Times -- Contributors -- Index.