by
Monson, Ingrid.
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jazz improvisation that has "interactiveness" at its core, in the creation of music through
by
Charters, Samuel Barclay.
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: New Orleans street jazz and the Eureka brass band in the 1950s -- A dance in ragged time : "Shake the
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Scherer, Marge.
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-- The View from Somewhere -- Part 5: Building on Student Interests -- The Music Connection -- Turning On
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Adlington, Robert.
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Revolution: The Jazz Avant-garde in New York, 1964-65 -- 11 American Cultural Diplomacy and the Mediation of
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Holt, Fabian.
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Nashville Sound -- 4. Jazz and Jazz-Rock Fusion -- Double Session II: Urban Boundaries -- 5. Jeff Parker and
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Yaffe, David.
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problematic results. Fascinating Rhythm stops to listen for the music, demonstrating how jazz continues to
by
Ferris, William.
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-- Bruce Payne: News -- Reverend Marcus Butler: Gosel Music -- Gary's Meat House Ad -- Bruce Payne -- Beale
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Davenport, Lisa E.
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diplomacy practiced in the Soviet Union and other regions of the world from 1954 to 1968. Jazz music and
by
Alexander, Paul.
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Pentecostalism's Working-Class Enthusiasm Is Appealing -- Latino Music and the Appeal of Pentecostalism -- Jazz and
by
Pichaske, David R.
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other geographies and into other dimensions of art or thought: jazz music and formalism in the case of
by
Radano, Ronald M.
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musical culture has helped unhinge the very ideologies on which definitions of "jazz," "black music
by
Ho, Fred.
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Mitchell -- II: MUSIC, AESTHETICS, AND CULTURAL PRODUCTION -- What Makes "Jazz" the Revolutionary Music of
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