CONTENTS -- Notes on contributors 7 -- Introduction 11 -- Erik Skuggevik -- Typological threesome: subtitling, interpretation and voice-over. A study of symbiotic translation types 13 -- Laura Puigdomènech, Anna Matamala and Pilar Orero -- Audio description of films: state of the art and protocol proposal 27 -- Pierfranca Forchini -- "Well, uh no. I mean, you know…" Discourse markers in movie conversation 45 -- Silvia Bruti and Elisa Perego -- Audiovisual genre and the translation of vocatives in interlingual subtitles 61 -- Agnieszka Szarkowska -- Why are some vocatives not omitted in subtitling? A study based on three selected Polish soaps broadcast on TV Polonia 77 -- Teresa Tomaszkiewicz -- Areas of untranslatability in audiovisual transfers 93 -- Soledad Zárate -- Subtitling for deaf children 107 -- Josélia Neves -- Music to my eyes... Conveying music in subtitling for the deaf and the hard of hearing 123 -- Laura Cruz García and Víctor Manuel González Ruiz -- The dubbing of TV advertisements in the context of standardised marketing strategies 147 -- Laura Incalcaterra McLoughlin -- Explicitation of the translation process in translators' training through production of interlingual subtitles 165 -- Jonathan Burton -- The joy of opera: the art and craft of opera subtitling and surtitling 179 -- Marta Dynel -- First things first: Problems and strategies in the translation of film titles 189.