Contents -- Early Days, Early Works: Arthur Miller at the University of Michigan -- The Timebends World: Prospect for Performance / Frank Gagliano -- Arthur Miller and the Drama of American Liberalism / Mike Sell -- Teaching the Unseen Presence in Miller's Plays / Bruce J. Mann -- All My Sons: Competing Contexts and Comparative Scales / Patricia D. Denison -- Setting the Scene: Death of a Salesman and After the Fall -- The Symbolist Scenography of Arthur Miller / Arnold Aronson -- From Technology to Trope: The Archbishop's Ceiling and Miller's Prismatic Drama / Andrew Sofer -- The Misfits and American Culture / Laurence Goldstein -- Miller, Monroe and the Remaking of Jewish Masculinity / Jonathan Freedman -- The American Clock: "Epic Vaudeville" / Peter W. Ferran -- "Vaudeville at the Edge of the Cliff" / Toby Zinman -- An Interview with Patrick Stewart / Toby Zinman -- The Late Plays of Arthur Miller / Robert Scanlan -- Manipulating Miller / Ruby Cohn -- In Willy Loman's Garden: Contemporary Re-visions of Death of a Salesman / Deborah R. Geis -- Theorizing Salesman / Elinor Fuchs -- William Bolcom's A View from the Bridge and American Opera: A Discussion / Enoch Brater -- A Conversation with Arthur Miller / Enoch Brater -- Afterword: The Legacy of Arthur Miller / Mel Gussow -- Contributors -- Index.