Pt. I. The Classical Hollywood Music Style -- 1. "The Classical Hollywood Music": A Chronicle -- 2. "The Classical Hollywood Music": A Stylistic Definition -- pt. II John Williams and the Classical Hollywood Music Style -- 3.The "Modern" Hollywood Music Style: The Context of Williams's Restoration -- 4.Star Wars: An Oppositional Score -- 5. Williams's Early Years: Spotting the First Traces of Neoclassicism

6. Jaws: Williams's Neoclassicism Floats Up to the Surface -- 7. Williams's Neoclassicism: Style and Habits -- 8.Williams's Naysayers: A Deconstruction of Classical and New Criticisms -- 9. Raiders of the Lost Ark Background: A Neoclassical Film -- 10. Raiders of the Lost Ark Analysis: The Return of Max Steiner -- 11. Beyond the Films: Conductor John Williams

Appendix 1. Completing the Picture -- Williams's Versatility for Spielberg (and Others) -- The Spielberg/Williams Collaboration -- Williams's Eclecticism Besides Spielberg (and Lucas)

Appendix 2. Film and TV Scores, Concert Pieces, and Arrangements -- Scores for Feature Films -- TV Scores -- Principal Early-Year Collaborations -- Fanfares, Orchestral Miniatures, and Concert Pieces -- Catalogue of Film-Music Concert Pieces -- Principal Medleys and Arrangements from Film Scores, Songs, and Popular Music.